Barnette, Jane. Witch Fulfillment: Adaptation Dramaturgy and Casting the Witch for Stage and Screen (Routledge, 2024).

Cantu, Maya. Greasepaint Puritan: Boston to 42nd Street in the Queer Backstage Novels of Bradford Ropes. Ann Arbor: University of Michigan Press, 2024.

Carlyon, David. Review, The Cambridge Companion to The Circus (Cambridge, 2021), Gillian Arrighi and Jim Davis editors, in Theatre Journal 76 (September 2024): 246-47.

Galella, Donatella. “Democracy, ‘Democracy (Reprise),’ and the Asian American Ambivalence of Soft Power,” Theatre Journal 76, no. 1 (March 2024): 23-43.

Gillespie, Benjamin. “Making Lesbian-Feminist Theatre: Lois Weaver, Tammy WhyNot, and the Legacy of Split Britches.” Milestones in Staging Contemporary Genders and Sexualities. ed. Emily Rollie. New York and London: Routledge, 2024.  

Gillespie, Benjamin. “Split Britches and the Camp Absurd.” The Routledge Companion to Absurdist Literature. ed. Michael S. Bennett. New York and London: Routledge, 2024. 

Gillespie, Benjamin. “Performing Dramaturgies of Care in Quarantine: Aging, Inclusivity, and Aesthetics in a Virtual World.”Pandemic Play: Community in Performance, Gaming, and the Arts. eds. Carolyn Ownbey and Catherine Quirk. New York: Springer, 2024.  

González Crespán, Araceli. “Institutionalized Violence and Oppression: Ambiguity, Complicity and Resistance in El Campo and The Conduct of Life.” Comparative Drama 58, no 1-2 (March 2024): 109-29. https://doi.org/10.1353/cdr.2024.a920788.

Krasner, David. 1964, A Year in African American Performance History (Routledge, 2024)

Krasner, David. “Kant, Ibsen, and the Categorical Imperative,” Philosophy, Analytic Aesthetics, and Theatre, Michael Y. Bennett, ed. (Routledge, 2024).

Maria Shantelle Alexies Ambayec, Kristof van Baarle, Peter Burke, Renata Gaspar, Sozita Goudouna, Nilufer Gros, Adham Hafez, Jan-Tage Kuehling, Eero Laine, Sarah Lucie, Evan Moritz, Juliana Martins Rodrigues de Moraes, Malin Palani, Rumen Rachev, Aneta Stojnić. Mourning the Ends: Collaborative Writing and Performance. Advanced Methods: New Research Ontologies Series. Santa Barbara, CA: Punctum Press, 2024. 

Sozita Goudouna, Eero Laine, Sarah Lucie, Rumen Rachev, Aneta Stojnić, Kristof van Baarle. “Driving a Driverless Train: Exhausting Extras and Automated Performance.” PARtake: The Journal of Performance as Research 6, no. 1 (2024).

Eric Villanueva Dela Cruz, Gillian Dyson, Renata Gaspar, Sozita Goudouna, Tasha Haines, Eero Laine, Birgit Larson, Vahri McKenzie, Jimena Ortúzar, Sandamini Ranwalage, Anna Tzakou, and Evelyn Wan. “Everywhere, All the Time, 3:42—Collaborative Encounters with the Mundane.” Performance Research 28, no. 4 (2023): i–xxix, 5 –6, 139.

Rowen, Bess. “Staging Queer Feminisms and Legacies in North America.” In Milestones in Staging Contemporary Genders and Sexualities, edited by Emily Rollie, 24–41. New York: Routledge, 2024. https://doi.org/10.4324/978113272854-3.

Boffone, Trevor and Danielle Rosvally. “Yassified Shakespeare: The Case for TikTok as Applied Theatre.” Applied Theatre and Gender Justice, Eds. Lisa Brenner and Evelyn Diaz Cruz. Routledge, 2024.

Rosvally, Danielle. Theatres of Value: Buying and Selling Shakespeare in Nineteenth-Century New York City. Albany: State University of New York Press, 2024.

Rosvally, Danielle. “Burning it Down: Theatre Fires, Collective Trauma Memory, and the TikTok Ban.” Journal of American Drama and Theatre. Volume 36, Number 2: June, 2024.

Rosvally, Danielle. “Shakespeare is not Pie: Contingencies of Labor, Marginalization, and Early Modern Studies.” Shakespeare. Published online March 21, 2024; in print forthcoming.

Rowen, Bess. “Something Very Formal and Weird: Branden Jacobs-Jenkins on Eugene O’Neill.”  The Eugene O’Neill Review 45, no. 1 (2024): 63-71. https://doi.org/10.5325/eugeoneirevi.45.1.0063.

Rowen, Bess. “An Endless Capacity for Dissembling: Representing Teenage Girls on the American Stage from The Children’s Hour Through If Pretty Hurts Ugly Must Be a Muhfucka.” Theatre Survey 65, no. 1 (2024): 37–59. https://doi.org/10.1017/S0040557423000315.   

Rowen, Bess. Interview by Genevieve Hartnett & Holly Yu Tung Chen. “Stage for Change – No Theater on a Dead Planet.” The Click. 26 June 2024. https://theclick.news/podcast-stage-for-change-no-theater-on-a-dead-planet/.

Rowen, Bess. Interview by Michelle Leyden Li. “Mean Girls Be Damned – Circles Rise Together with Dr. Bess Rowen.” Revealing Li 24 July 2024.https://open.spotify.com/episode/6qFWHZkzaZNXhorryxRHdW. 

Rowen, Bess. Interview by Chloe Veltman. “‘We want to help’: Why climate activists are trying something new,” NPR. 5 April 2024.https://www.npr.org/2024/04/05/1242840734/climate-protest-broadway-extinction-rebellion.

Abbotson, Susan. “Two Nations Divided by a Common Man: The Migration of Arthur Miller’s Drama to the UK and Back.” Migrations in American Drama and Theater edited by Josefa Fernández Martín, Seville UP, 2023, pp. 19-48. 

Barnette, Jane. “Learning to Love Medea: The Hungry Woman, Mojada, and the Pedagogy of Adaptation.” Modern Drama 66.2 (special issue: “Teaching Modern Drama,” edited by Jennifer Buckley, June 2023): 203-224.

Black, Cheryl. “Susan Glaspell, the Provincetown Players, and Greenwich Village Feminism,” in J. Ellen Gainor, ed. Susan Glaspell in Context, Cambridge University Press, 2023. 

Black, Cheryl, et al, “Glaspell’s Recovered Early Fiction: On her Six “New” Short Stories,” in J. Ellen Gainor, ed. Susan Glaspell in Context, Cambridge University Press, 2023. 

Black, Cheryl, “Decommissioning the School-to-Prison Pipeline: Anna Deavere Smith’s Notes from the Field and Dominique Morisseau’s Pipeline,” Journal of American Drama and Theatre 35, 3 (Nov. 2023).

Bogar, Thomas. Theatre on the American Frontier. Baton Rouge: Louisiana State University Press, 2023.

Chansky, Dorothy. Losing It: Staging the Cultural Conundrum of Dementia and Decline in American Theatre (Palgrave), 2023.

Donovan, Ryan. Broadway Bodies: A Critical History of Conformity. New York: Oxford University Press, 2023.

Donovan, Ryan. Queer Approaches in Musical Theatre. London: Methuen Drama/Bloomsbury, 2023.

Gillespie, Benjamin. “Lois Weaver,” The Routledge Anthology of Women’s Theatre Theory and Dramatic Criticism. eds. J. Ellen Gainor and Catherine Burroughs. London and New York: Routledge, 2023. 

González Crespán, Araceli. “From La Viuda to Letters from Cuba: Family correspondence in María Irene Fornés’ theater”. Revista de Estudios Norteamericanos. Special section: Game Over, no 27 (2023): 83-98. https://doi.org/10.12795/REN.2023.i27.6.

González Crespán, Araceli. “Review of Evelyn Brown”. Revista De Estudios Norteamericanos. Special section; Game Over, no 27 (2023): 141-146. https://doi:10.12795/REN.2023.i27.15 .

González Crespán, Araceli. “Noelia Hernando-Real (2022): Rosas en la arena: los relatos de Susan Glaspell”. Revista de Filología de la Universidad de La Laguna, no. 47, (2023): 393-395. https://doi.org/10.25145/j.refiull.2023.47.22.

Hecht, Stuart J. Editor in Chief New England Theatre Journal, Vol.34.  New England Theatre Conference, 2023.

Hecht, Stuart J. “Susan Glaspell and the Chicago Renaissance,” for J. Ellen Gainor, editor. Susan Glaspell in Context (Cambridge University Press), 2023.

Johnson, Katie. Racing the Great White Way: Black Performance, Eugene O’Neill, and the Transformation of Broadway. Ann Arbor: University of Michigan Press, 2023.

Michelle Liu Carriger and Eero Laine. “‘Cultivating a Small Field’”: On the Work of Citation in Theatre and Performance Studies Scholarship.” Theatre Topics 33, no. 2 (July 2023): 83–89.

Michelle Liu Carriger and Eero Laine, “The Labor of Academic Journals; Or, Who is Going to Read This?” Reception: Texts, Readers, Audiences, History 15 (2023): 59–63.

“May We Have Your Attention Please: Anthropocene Artist Statement,” co-authored with Rachel Bowditch. Leonardo. vol. 56 no. 4 (2023), 431-434.

McDaniel, L. Bailey. “Negotiating Mothers: Exploring the Maternal Landscape in Danai Gurira’s Eclipsed.”  (M)Other Perspectives: Staging Motherhood in 21st Century North American Theatre and Performance. Eds. Aoise Stratord, Lynn DeBoeck. Routledge, 2023: 144-57.

Mefferd Kelty, Shawna. “A Doula/Director’s Manifesto for Creation; or, Dismantling the Patriarchy in Creative Spaces.” (M)Other Perspectives: Staging the Maternal in 21st Century Theatre & Performance, Routledge, Abingdon, 2023, pp. 254–261. 

Mefferd Kelty, Shawna. “Jesse Jou Pendragon Theatre Saranac Lake, New York 15 August—26 August 2023 .” Thornton Wilder Journal, vol. 4, no. 2, Oct. 2023, pp. 271–277, https://doi.org/10.5325/thorntonwilderj.4.2.0278. 

Riley, Alexis. “Staging the Mad Past: Performance, Criticism, and Historiography in Steppenwolf Theatre Company’s One Flew Over the Cuckoo’s Nest” in Identity, Culture, and the Science Performance Volume II: From the Curious to the Quantum, edited by Vivian Appler and Meredith Conti. Bloomsbury (2023): 36-54. 

Boffone, Trevor and Danielle Rosvally. “Aggressively Millennial: A Dialogue on & Juliet, Co-authored with Trevor Boffone”. Studies in Musical Theatre. Volume 17, Number 1: April 2023. 

Boffone, Trevor and Danielle Rosvally. “Everyone in Illyria is Bi you Absolute Cowards”: Shakespeare TikTok, Twelfth Night, and the Search for a Queer Utopia. Shakespeare Bulletin. Volume 40, Issue 4, Winter 2022 (published 2023).

Boffone, Trevor and Danielle Rosvally. “Yassified Shakespeare”. Borrowers and Lenders: 10.1 September, 2023.

Rosvally, Danielle and Donovan Sherman. Early Modern Liveness: Immediacy and Presence in Text, Stage, and Screen. Co-edited with Donovan Sherman. London: Bloomsbury Arden Shakespeare, 2023.

Vandevender, Bryan M. “Contemplating the Afterlife: Musicals in Revival as Pedagogical Intervention.” Theatre Topics 33.1 (2023): 19-28.

Vandevender, Bryan M. “A Substitute for Love: The Performance of Sex in Spring Awakening.” Gender, Sex, and Sexuality in Musical Theatre: He/She/They Could Have Danced All Night. Ed. Kelly Kessler. Intellect, 2023: 144-154. 

Abbotson, Susan, Series Editor: twelve volumes of Methuen Student Guides to the plays of Arthur Miller: After the Fall, All My Sons, The American Clock, Broken Glass, The Crucible, Death of a Salesman, Incident at Vichy, The Last Yankee, A Memory of Two Mondays, The Price, The Ride Down Mt. Morgan, and A View from the Bridge. Methuen, 2022.

Abbotson, Susan. “The Male Gaze in Arthur Miller’s A View from the Bridge.” Arthur Miller Journal, vol. 17, no. 1, 2022, pp. 21-29. 

Barnette, Jane. “Changing How We Make: Research-Creation as Methodology in Changemakers.” Theatre Topics 32.2 (2022), with M. Potter & D. Fulcher, online.

Barnette, Jane. “What is Wanda, but Witches Persevering? Palimpsests of American Witches in WandaVision.” Theatre Journal 74.1 (March 2022): 41-57.

Barnette, Jane. “Hocus-Pocus: WitchTok Education for Baby Witches.” TikTok Cultures in the United States, Ed. Trevor Boffone. Routledge, 2022. 97-107.

Barnette, Jane. “Reevaluating Rigor with 2020 Hindsight—A Manifesto for the Ungraded Classroom.” Teaching Performance Practices in Remote and Hybrid Spaces, Eds. Jeanmarie Higgins & Elisha Clark Halpin. Routledge, 2022. 1-10.

Bisaha, David. American Scenic Design and Freelance Professionalism. Southern Illinois University Press, 2022.

Carlyon, David. “Fighting Over Democracy: The 1790s Circus Battle,” Theatre Annual 75 (2022): 1-18.

Carlyon, David. Reprint, “’Twain’s ‘Stretcher’: The Circus Shapes Huckleberry Finn.” 2007. Children’s Literature Review. Ed. Carol A Schwartz. Vol. 254. Prod. Layman Poupard (Detroit: Gale, Cengage, 2022), 164-79

Chansky, Dorothy. “Alice Brown Take on Social Insecurity:  Joint Owners in Spain.” Modern Drama (Spring 2022).

MacDonald, Laura and Ryan Donovan. The Routledge Companion to Musical Theatre. London: Routledge, 2022.

Galella, Donatella, ed. “Asian American Dramaturgies.” Journal of American Drama and Theatre 34, no. 2 (2022): https://jadtjournal.org/category/vol-34-no-2/page/2/.

Galella, Donatella with Dorinne Kondo, Esther Kim Lee, Josephine Lee, Sean Metzger, and Karen Shimakawa. “Behind the Scenes of Asian American Theatre and Performance Studies.” Journal of American Drama and Theatre 34, no. 2 (2022): https://jadtjournal.org/2022/05/21/behind-the-scenes-of-asian-american-theatre-and-performance-studies/.

Galella, Donatella with Masi Asare, Jordan Ealey, SAJ, Hye Won Kim, Matthew D. Morrison, Fred Moten, Karen Shimakawa, and Celine Parreñas Shimizu. “MT/D, or Change: An Anti-racist Musical Theatre Reading Group.” Studies in Musical Theatre 16, no. 1 (2022): 53-76.

Geary II, Fonzie D. Maxwell Anderson and the Marriage Crisis: Challenging Tradition in the Jazz Age. Palgrave Macmillan (2022). 

Gillespie, Benjamin. “Split Britches: Peggy Shaw, Deb Margolin, and Lois Weaver,” 50 Key Figures in Queer US Theatre. eds. Jordan Schildcrout and Jimmy Noriega. London and New York: Routledge, 2022. 

Gillespie, Benjamin and Edgecomb, Sean. “Queer Becomings: The Ridiculous Theatrical Company and Split Britches.Analyzing Gender in Performance. eds. Paul Halferty and Catherine Leeney. London: Palgrave Macmillan Springer, 2022. 

González Crespán, Araceli. “ Wonder, Refuge, Promise: Explorations and Discoveries of America in Maria Irene Fornes’ Final Plays.” Latin American Theatre Review 56.1 (Fall 2022): 43–61. 

González Crespán, Araceli. “The Cuban Rafter Crisis on Stage: Humanizing the Experience of Refugees in María Irene Fornés’ Manual for a Desperate Crossing.” American, British and Canadian Studies (special issue: Staging Crises) 39.1 (December 2022): 100–120.   

Granshaw, Michelle. “Theatre.” American Literature in Transition: The Long Nineteenth Century, Volume II: 1820-1860. Ed. Justine Murison. Cambridge: Cambridge University Press, 2022. 164-179.

Hecht, Stuart. “What I Learned from Our Town: A Director’s Memoir,” Thornton Wilder Journal, Volume 3, Number 1, 2022, pp 85-100.

Hecht, Stuart J. Editor in Chief New England Theatre Journal, Vol.33.  New England Theatre Conference, 2022.

Hughes, Amy E.  “Embracing the Lackluster: Investigating the Life (and Afterlives) of a Nineteenth-Century Workaday Actor.” Pamiętnik Teatralny (Theatrical Memoir) 71, no. 3 (October 2022): 15–36. 

Konkle, Lincoln. “Teaching The Bridge of San Luis Rey and Wilder’s Other Novels.” Thornton Wilder Journal 1 July 2022; 3 (1): 7–18. 

Konkle, Lincoln. “Our Town,” Thornton Wilder Journal 1 July 2022; 3 (1): 109–116.   

MacDonald, Laura. “Bare Broadway Bodies: How nudity brought the gay community and Broadway cheek to cheek.” Revue Française d’Études Américaines 171 (2022): 67-79.

MacDonald, Laura. “To remind you of my love: London’s love affair with the American musical.” Comparative Drama 56.1-2 (2022): 93-124.

Martinson, Karen Jean. “Profiling El Vez, The Mexican Elvis: A Dramaturgical Methodology to Make the Dream Real.”Pamiętnik teatralny. vol. 71, no. 3 (2022), 87-105.

Peris, Lucija. “About Theatre Criticism.” Contemporary Puppetry and Criticism, edited by Igor Tretinjak, Lucija Peris and Katarina Zeravica, Academy of Arts and Culture in Osijek, 2022, pp. 109-15.

Peris, Lucija. “Gender Roles and Female Identity in Eugene O’Neill’sLong Day’s Journey into Night and John Van Druten’s I Remember Mama.” Anafora, vol. 9, no. 1, 2022, pp. 25-44.

Peris, Lucija. “Imagological Reading of Eugene O’Neill’s Plays: Nation and Its Representation in Long Day’s Journey into Night and A Moon for the Misbegotten.” Culture, Nation and Diplomacy, edited by Kristina Peternai Andric and Tatjana Iles, Faculty of Humanities and Social Sciences in Osijek-Academy of Arts and Culture in Osijek, 2022, pp. 187-202.

Shulman, Max. The American Pipe Dream: Performance of Addiction, 1890-1940, University of Iowa Press, 2022.

Vandevender, Bryan M. “Journeys to the Past: The Uses of Memory and Nostalgia in Musical Theatre.” The Routledge Companion to Musical Theatre. Ed. Laura MacDonald, William A. Everett, and Ryan Donovan. Routledge, 2022: 485-501.

Abbotson, Susan. “Arthur Miller (1915-2005),” “The Crucible, Arthur Miller,” “Death of a Salesman, Arthur Miller,” and “Post-World War II Theatre.” Twentieth-Century and Contemporary American Literature in Context, edited by Linda De Roche, ABC-CLIO, 2021, pp. 262-64, pp. 284-85, pp. 811-13, pp. 952-955. 

Abbotson, Susan. “Broadway Post-1945 to 1960: Shifting Perspectives.” The Cambridge Companion to American Theatre since 1945, edited by Julia Listengarten and Stephen Di Benedetto, Cambridge UP, 2021, pp. 19-44. 

Appler, Vivian and Kenya Gadsden. “The ‘A’ in STEAM”: PAR as Fifth-Space for Research and Learning in the Arts and Sciences.” PARtake: The Journal of Performance as Research 4.1 (2021)  

Barnette, Jane. “Lookingglass Theatre Company.” American Theatre Ensembles, vol. 1, Ed. Mike Vanden Heuval. Methuen Drama, 2021. 151-172.

Barnette, Jane. “To Wright the Witch: The Case of Joanna Baillie’s Witchcraft.” Theatre History Studies 40 (2021): 110-125. 

Bell, Christian. “Collaborating with(in) the Garden: Stewardship, Performance, and Thinking Beyond the Spatio-Temporal Formations of Institutional Legacies.” Performance Philosophy,  6.2 (2021).

Bell, Christian. “Prompts for Acknowledging Relations.” Theatre Topics, 31.2 (2021).

Bell, Christian.“Flash Mob Round Dance!: Ethnography as a Dialogical Movement.” Decolonizing Place-Based Arts Research, Ed. Mary Modeen (2021).

Bial, Henry and Chase Bringardner, Eds. The Great North American Stage Directors, Volume 4: George Abbott, Vinnette Caroll, Harold Prince. London: Bloomsbury Methuen Press, 2021.

Black, Cheryl. Editor, David Belasco, Arthur Hopkins, Margaret Webster,Vol. 1 of Great North American Stage Directors series, Bloomsbury Methuen Drama, 2021.

Black, Cheryl. “The Cultural Imaginings of a Theatrical Impresario: David Belasco in Context,” in David Belasco, Arthur Hopkins, Margaret Webster, Bloomsbury Methuen Drama, 2021.

Black, Cheryl. “A Virtual Season: Eugene O’Neill’s The Rope and Where the Cross is Made, Metropolitan Virtual Playhouse,” Eugene O’Neill Review, Vol. 42, no.1 ( 2021) pp. 95-102.

Brenner, Lisa S., Ceraso, Chris, and Evelyn Diaz Cruz, eds. Applied Theatre with Youth: Education, Engagement. Activism. NY and London: Routledge, 2021

Brenner, Lisa S. and Chris Ceraso, eds. Represent! New Plays for Multicultural Youth. London: Bloomsbury-Methuen, 2021. 

Carlyon, David. “A Billy Button Bounty: The Hidden Politics of Comic Circus Riding,” Bandwagon, 65.2 (June-August 2021), 10-15.

Carlyon, David. Review of Arthur W. Bloom, Edwin Forrest: A Biography and Performance History, in Theatre History Studies, 40 (2021): 201-03.

Essin, Christin. Working Backstage: A Cultural History and Ethnography of Technical Theatre Labor. Ann Arbor: University of Michigan Press, 2021. 

Essin, Christin. “Backstage Dramaturgies and Representations of Producing Shakespeare.” Shakespeare Bulletin 38.1 (2021): 13-34.

Fisher, James. The Theater of Tony Kushner: Living Past Hope. Second Edition. New York: Routledge, 2022.

Fisher, James. The Historical Dictionary of Contemporary American Theater: 1930 to 2020. Second Edition. Two volumes. Lanham, MD: Rowman & Littlefield, 2021.

Foster, Verna. “Mother Medea and Her Children: Maternal Ambivalence in the Medean Plays of Marina Carr, Cherríe Moraga, and Rachel Cusk.” Comparative Drama, 55:1 (Spring 2021): 83-111. 

Galella, Donatella. “Read, Cite, Commit.” Journal of American Drama and Theatre 33:2 (2021).

Geary II, Fonzie D. “Cultural Messiah: Harold Clurman and the Early Years of the Group Theatre” in The Great North American Stage Directors, Vol. 2: The Director in the Company edited by Jonathan Chambers; series editor, James Peck. Methuen. 2021.

Gillespie, Benjamin. “David Byrne and the Utopian Imagination.” PAJ: A Journal of Performance and Art 43.3, 2021: 7-18.

Gillespie, Benjamin. “Power to the Pause: A Pandemic Conversation with Jess Dobkin.” Canadian Theatre Review 188, 2021: 24-28.

González Crespán, Araceli. “El diario como herramienta de reflexión en un curso de teatro estadounidense: hacia una evaluación formativa.” La escritura del diario. Aspectos literarios, culturales y educativos, coordinated by Rafael Malpartida Tirado. Comares: Albolote, Granada, 2021, 115-122.

Hecht, Stuart J. “The Ten Dollar Opera: Hamilton as a New Modernism” in Dueling Grounds: Revolution and Revelation in the Musical Hamilton edited by Mary jo Lodge and Paul R. Laird, Oxford, 2021.

Hecht, Stuart J. “Jerome Robbins: A Hide-and-Seek Directorial Life” in The Great North American Stage Directors, Vol. 3, edited by Harvey Young.  London: Bloomsbury Methuen Drama, 2021.

Hecht, Stuart J. with Megan E. Geigner and Jasmine Jamillah Mahmoud. Makeshift Chicago Stages: a Century of Theater and Performance.  Northwestern University Press, 2021.

Hecht, Stuart J. Editor in Chief New England Theatre Journal, Vol.32.  New England Theatre Conference, 2021.

Hughes, Amy E. “Pets, People, and the Emerging ‘Dogaturgy’ of Nineteenth-Century Dog Dramas,” Nineteenth Century Theatre and Film 48, no. 2 (November 2021): 220–33. 

Konkle, Lincoln. “The Rivers Under the Earth: Wilder’s Psychoanalytic Primer for the Stage.” Thornton Wilder Journal, vol. 2, no. 2, Penn State University Press, 2021, pp. 180–94, https://doi.org/10.5325/thorntonwilderj.2.2.0180.

Konkle, Lincoln. “‘Lean[ing] against a proscenium’: Edward Albee’s Me, Myself & I as Homage to Thornton Wilder.” in Edward Albee and Influence. Eds. Natka Bianchini and John M. Clum. (Volume 4 of New Perspectives in Edward Albee Studies. Series Editor, Michael Y. Benet.) Brill, 2021, 13-29.

MacDonald, Laura. “What’s Inside?: Collaborative Relationships at the Heart of the American Musical.” The Cambridge Companion to American Theatre since 1945, edited by Julia Listengarten and Stephen Di Benedetto, Cambridge University Press, 2021, pp. 77–103.

Martinson, Karen Jean and Olsen, Nicola. “Tripped Up by the Small Things: Dramaturging Institutional Processes in DEI Work.” LMDA Review. vol. 27 (2021), 9-18.

Martinson, Karen Jean and Olsen, Nicola. “The Total Theatre Eye: A Conversation About Dramaturgy and Creativity,”  Theatre TopicsNotes from the Field, vol. 31, no. 2 (July 2021), 145-152.  

Mielke, Laura L. and Rachel Linnea Brown. “John Brougham’s Columbus Burlesque.” Edited with Rachel Linnea Brown. Scholarly Editing 39, 2021. https://scholarlyediting.org/issues/39/john-broughams-columbus-burlesque/

Mielke, Laura L. “Patriot, Satirist, Bagman: Picturing John Brougham’s Columbus Burlesque.” New England Theatre Journal 32, 2021, pp. 23-51.

Metzger, Sean. “Vampiric Fashion: Chinese Circulation, Cinema, and Clothing On Screen and Off” Fashion Theory https://www.tandfonline.com/doi/full/10.1080/1362704X.2021.1972632

Metzger, Sean. “The Theatricality of the Locker Room, or Staging the Naked Jock” Sports Plays Ed. Broderick Chow and Eero Laine. New York: Routledge, 2021: 201-218.

Metzger, Sean. “On the Genealogy of Asian American Drama.” Asian American Literature in Transition Volume I (1850-1930)Ed. Josephine Lee and Julia Lee. Cambridge: Cambridge University Press, 2021: 171-186.

Miller, Derek. “Realism.” In Ibsen in Context, edited by Narve Fulsås and Tore Rem. Cambridge: Cambridge University Press, 2021.

Miller, Derek and Miguel Escobar Varela. “Rethinking the Canon through the Digital.” InTroubling Traditions: Canonicity, Theatre, and Performance in the US, edited by Lindsey Mantoan, Matthew Moore, and Angela Farr Schiller. London: Routledge, 2022.

Miller, Hillary. “Vinnette Carroll, Langston Hughes, and the Creation of the Gospel Song-Play.” In The Great North American Stage Directors, Vol. 4, edited by Henry Bial and Chase Bringardner. London: Bloomsbury Methuen Drama, 2021, 119-149.

Rowen, Bess. The Lines Between the Lines: How Stage Directions Affect Embodiment this year (University of Michigan Press, 2021).

Vandevender, Bryan M. “Spinning the American Racial Narrative: Nicholas Hytner’s Carousel of Imagined Progress,” Theatre Annual 74 (2021): 39-51.

Abbotson, Susan. “Viewing the Playwright through a Different Lens: Miller’s Fiction and How It Connects to His Life and Drama.” Arthur Miller for the 21st Century: Contemporary Views of His Plays and Ideas, edited by Stephen Marino and David Palmer, Palgrave, 2020, pp. 219-36.

Abbotson, Susan. “Comedy and the Common Man: Arthur Miller’s Comedic Chops.” Arthur Miller Journal, vol. 15, no. 1, 2020, pp. 3-31.

Bell, Christian. “Unsettling Existence: Land Acknowledgement in Contemporary Indigenous Performance.” Performance Research, 25.1 (2020).

Black,Cheryl. “The Emergence of an American Drama, 1820-1914,” in Susan Belasco et al, eds., The Blackwell Companion to American Literature, Wiley and Blackwell, May 2020.

Black, Cheryl “African-American Actress/Entrepreneurs in the Harlem Renaissance Era,” Palgrave Handbook of the History of Women on Stage, Palgrave MacMillan, Eds. Jan Sewell and Clare Smout, May 2020.

Bogar, Thomas A. Champagne Sparkle: Maggie Mitchell, the First Musical Comedy Star of the American Stage Publisher: Rowman and Littlefield, July 2020.

Carlyon, David. Review of Sarah E. Chinn, Spectacular Men: Race, Gender, and Nation on the Early American Stage, in Theatre Journal 72.2 (June 2020), 260-62.

Chansky, Dorothy. Conversations With Food (co-edited anthology with Sarah W. Tracy).  Vernon Press, 2020.

Chansky, Dorothy. “‘Bad Girls’ of 1960s-1990s American Performance:Adrian Piper, Karen Finley and Carolee Schneeman” for the Palgrave Handbook of the History of Women on Stage, ed. Jan Sewell and Clare Smout.  Spring 2020.

Eichin, Carolyn Grattan. From San Francisco Eastward: Victorian Theater in the American West, University of Nevada Press, February 2020.

Gainor, J. Ellen. “Dance Nation and Its Representational Challenges” Modern Drama 63.2 (Summer 2020), 173-96.

Geary II, Fonzie D. “Not Yet: Race Relations and Washingtonian Mythology in American Drama and Theatre.” Theatre Annual. Vol. 73, 2020.

Gillespie, Benjamin and Rowen, Bess. “Against Chronology: Intergenerational Pedagogical Approaches to Queer Theatre and Performance Histories.” Theatre Topics 30, no. 2 (2020): 69-83. 

Granshaw, Michelle. “Performing the Northern Athens: Dr.Corry’s Diorama of Ireland and the Belfast Riot of 1864.” Theatre Survey 61.1 (January 2020): 102-128.

Jouve, Emeline.  “Staging the ‘Peaceable Revolution’. Henry David Thoreau and the Living Theatre,” in “Live deep and suck all the marrow of Life”: H.D. Thoreau’s Literary Legacy, Eulalia Piñero and Laura Arce (eds.), Deleware, Vernon Press, 2020.

Kelty, Shawna Mefferd. “Spinning Truth(s), Myths, Gossip, and Facts in the Theatre History Classroom.” Theatre Topics 30:3 (November 2020) pp 195-201 doi: 10.1353/tt.2020.0037

Konkle, Lincoln. Thornton Wilder Journal. Co-editor with Jackson R. Bryer, Mary English, and Edyta Oczkowicz. Penn State University Press, 2020

MacDonald, Laura. “Seasons of Love: Chinese Millennials’ Affective Amateur Musical Theatre Performances.”  Performance Research Journal 25.2 (2020), 112-120.

Martinson, Karen Jean. “’And I say who has ever ever seen this place?’: Feeling Change at the Performances of El Vez, The Mexican Elvis.” Theatre Annual. vol. 73 (2020), 18-34. 

Menta, Ed. “I Finally Saw the Italian Renaissance Theatres (and their Silent Ghost Audiences)” in New England Theatre Journal (2020).

Metzger, Sean. The Chinese Atlantic: Seascapes and the Theatricality of Globalization. Bloomington: Indiana University Press, 2020.

Metzger, Sean. “Concerning the Queer Refugee: Staceyann Chin’s Transient Performance” Cultural Dynamics June 2020 (online first: https://doi.org/10.1177/0921374020934149)

Metzger, Sean. “Prayin’ for Queer Times: Choir Boy and Enactments of Transient Performance” with Kimberly Welch Cultural Dynamics June 2020 (online first: https://doi.org/10.1177/0921374020934510)

Miller, Hillary. “Mabou Mines’ Dead End Kids & Performing Artists for Nuclear Disarmament.” In Side by Side: Collaborative Artistic Practices in the United States, 1960s–1980s, edited by Gwyneth Shanks and Allie Tepper, Vol. III of the Living Collections Catalogue. Minneapolis: Walker Art Center, 2020.

Miller, Hillary. Playwrights on Television: Conversations with Dramatists. New York: Routledge, 2020.

Marino, Stephen and David Palmer, eds: Arthur Miller for the Twenty-First Century: Contemporary Views of His Writings and Ideas.Palgrave Macmillan, 2020.

Rowan, Bess. Co-editor, Theatre Scandals: Social Dynamics of Turbulent Theatrical Events (Brill Rodopi, 2020).

Rowan, Bess. “Burning the Bridge while Bridging the Gap: Riotous Pedagogy in ‘The Plough and the Stars’ – Riot of 1926.” Theatre Scandals: Social Dynamics of Turbulent Theatrical Events (Brill Rodopi, 2020).

Saal, Ilka and Bertram D. Ashe. Slavery and the Post-Black Imagination. Eds. Ilka Saal and Bertram D. Ashe. Seattle: University of Washington Press, 2020.

Saal, Ilka. “Performing Slavery at the Turn of the Millennium: Stereotypes, Affect, and Theatricality in Branden Jacobs-Jenkins’s Neighbors and Young Jean Lee’s The Shipment.” Slavery and the Post-Black Imagination. Eds. Bertram D. Ashe and Ilka Saal. Seattle: University of Washington Press, 2020. 140-159.

Saal, Ilka and Bertram D. Ashe. “’An Audience is a Mob on its Butt:’ An Interview with Branden Jacobs-Jenkins,” together with Bertram D. Ashe. Slavery and the Post-Black Imagination. Eds. Bertram D. Ashe and Ilka Saal. Seattle: University of Washington Press, 2020. 198-228.

Sauer, David and Geoffrey. “Chapter 18: Drama.” American Literary Scholarship: An Annual  2018, 2020.

Senelick, Laurence. “Dickens Reads in Springfield: An Eye-witness Account,” The Dickensian (Spring 2020).

Senelick, Laurence. “The ever-widening contexts of Konstantin Stanislavsky,” Stanislavski Studies (April 2020).

Senelick, Laurence. “A new translation of Griboedov’s Woe from Wit,” Arts Fuse (on-line, April 2020).

Vandevender, Bryan M. “Ethics Training for Theatre Artists: A Manifesto.” Performing Ethos: An International Journal of Ethics in Theatre & Performance 10.1 (2020): 97-100.

Wilmer, Stephen, & Vedel, Karen. (2020). “Theatre and the Anthropocene.” Nordic Theatre Studies, 32(1), 1-5.

Abboston, Susan. “Prospects for the Study of Arthur Miller.” Resources for American Literary Study, edited by Paul Thifault and Nancy Sweet, vol. 41, no. 1, 2019, pp.1-26.

Abbotson, Susan. Modern American Drama: Playwriting in the 1950s.Methuen, 2019.

Appler, Vivian. “Titan’s ‘Goodbye Kiss’: NASA’s Allegorical Rockets and the Conquest of Space.” Global Performance Studies 2.2 (2019)

Bank, Rosemarie. “A-foot in Time:  Temporality in the Space of a Moment in Theatre History.”  In The Bloomsbury Companion to Theatre History and Historiography,  eds. Claire Cochrane and Jo Robinson (Bloomsbury, 2019).

Barnette, Jane, Alysha Griffin and Timmia Hearn Feldman. “Staging Cruelty through Consent: Sycorax in Kansas.” Journal of Dramatic Theory & Criticism 34.1 (Fall 2019): 105-121.

Bean, Heidi R. Acts of Poetry: American Poets’ Theater and the Politics of Performance. Ann Arbor: University of Michigan Press, 2019.

Bigsby, Christopher. Staging America: Twenty-First Century Dramatists (Methuen, 2019).

Bryer, Jackson R., Ed. Why I Like This Story. Rochester, NY: Camden House, 2019

Bryer, Jackson R. and Ben Siegel, eds. Conversations with Neil Simon. Jackson: University Press of Mississippi, 2019.

Bryer, Jackson R.”‘I Trap People’: An Interview with Edward Albee.” Edward Albee as Theatrical and Dramatic Innovator. Ed. David A. Crespy and Lincoln Konkle. Leiden: Brill, 2019. 223-34.

Callens, Johan. “Triangulating Troy: The Wooster Group’s Troilus and Cressida.” Literary Transnationalism(s), edited by Dagmar Vandebosch and Theo D’haen, Brill Rodopi, 2019, 176-191.

Cantu, Maya. “Beyond the Rue Pigalle: Recovering Ada ‘Bricktop’ Smith as ‘Muse,’ Mentor and Maker of Transatlantic Musical Theatre.” In Reframing the Musical: Race, Culture, and Identity, edited by Sarah Whitfield. London: Palgrave Macmillan, 2019.

Crespy, David A. and Lincoln Konkle.  Editors.  Edward Albee as Theatrical and Dramatic Innovator. New Perspectives in Edward Albee studies, Volume: 3.  Brill, 2019. v-x + 253.

Curry, Jane Kathleen  “Spectacle and Sensation in The Octoroon/An Octoroon,” Nineteenth Century Theatre and Film (May 2019)

DesRochers, Rick. “Keaton, Class, and Social Control: Comic Vaudeville in the Progressive Era,” Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage, edited by Max Shulman and J. Chris Westgate. Iowa City: University of Iowa Press, 2019.

Essin, Christin, Holly Poe Durban, and Rafael Jaen, eds. Theatre Artisans and their Craft. New York, Routledge, 2019.

Fisher, James. Fellow, College of Fellows of the American Theatre, 2019.

Foster, Verna A. “Excavating American Theatrical History: Branden Jacobs-Jenkins’s  Neighbors, Appropriate, and An Octoroon.” The Journal of American Drama and Theatre, 32:1(Fall 2019).

Galella, Donatella. America in the Round: Capital, Race, and Nation at Washington D.C.’s Arena Stage. Iowa City: University of Iowa Press, 2019. https://www.uipress.uiowa.edu/books/9781609386252/america-in-the-round

Galella, Donatella. “‘Superman/Sidekick’: White Storytellers and Black Lives in The Fortress of Solitude.” In Reframing the Musical: Race, Culture, and Identity, edited by Sarah Whitfield. London: Palgrave Macmillan, 2019.

Granshaw, Michelle. Irish on the Move: Performing Mobility in American Variety Theatre. Iowa City: University of Iowa Press, 2019.

Granshaw, Michelle. “Theatrical Boston, 1880-1930.” In Atlas of Boston History: The Making of a City. Ed. Nancy S. Seasholes. Chicago: University of Chicago Press, 2019.

Huerta, Jorge A. “Making the Invisible, Visible: Teatro Chicana/o, Then  and Now.” Aztlan Spring 2019: 151-167.

Jackson-Schebetta, Lisa. Editor, Theatre History Studies (volumes 39-42).

Johnson, Katie. “Black to Ireland: Circum-Atlantic Double Exposure and Racialized Jump Cuts in The Emperor Jones.” MELUS, Volume 44, Issue 4, Winter 2019, pp.147–176.

Jouve, Emeline and Sophie Maruejouls-Koch,eds. Rethinking Laughter in Contemporary Anglophone Theatre,  ejournal Miranda, no. 19, 2019.

Kattwinkel, Susan. “Monstrosity or Medical Miracle?: Incubator Baby Sideshows and the Contradictions of the Progressive Era.” InPerforming the Progressive Era: Immigration, Urban Life, and Nationalism on Stage, edited by Max Shulman and J. Chris Westgate. Iowa City: University of Iowa Press, 2019.

Klein, Jeanne. “The Cake Walk Photo Girl and Other Footnotes in African American Musical Theatre.” Theatre Survey (January 2019): 67-90.

Konkle, Lincoln. Edward Albee as a Theatrical and Dramatic Innovator. (Volume 3 of New Perspectives in Edward Albee Studies. Series Editor, Michael Y. Bennett.)  Co-editor with David Crespy. x + 253 pp. Brill, 2019.

Londre, Felicia Hardison, ed. The Great European Stage Directors, Volume 7: Barrault, Mnouchkine, Stein. London: Bloomsbury Methuen Drama, 2019. xii + 242.

MacDonald, Laura. “Rising in the East: Disney Rehearses Chinese Consumers at a Glocalised Shanghai Disneyland.” Performance and the Disney Theme Park Experience (Jenny Kokai and Tom Robson, editors, Palgrave Macmillan, 2019: 127-148). 

Gosine, Andil, Sean Metzger, and Patricia Mohammed eds. “Expressions of Asian Caribbeanness” Special issue of Asian Diasporic Visual Cultures and the Americas 5.1-2 (2019).

Metzger, Sean. “How PSi Works: The Practice of Performance Studies” with Maaike Bleeker and Eero Laine. Critical Stages/Scènes Critiques19 (June 2019): http://www.critical-stages.org/19/how-psi-works-the-practice-of-performance-studies/.

Metzger, Sean.  “Race in Performance.” InOxford Research Encyclopedia of Literature. Oxford University Press. Article published January 2019. doi:http://dx.doi.org/10.1093/acrefore/9780190201098.013.101.

Metzger, Sean. “Thinking through Cultural Convention” Thinking Through Theatre and Performance. Ed. Maaike Bleeker, Adrian Kear, Joe Kelleher and Heike Roms. London: Methuen Drama, 2019: 58-69. 

Metzger, Sean. “Touring San Francisco’s Chinatown: Collective Memories and Peripatetic Performance” with Marike Splint. Routledge Companion to Theatre and Politics. Ed. Helena Grehan and Peter Eckersall. New York: Routledge, 2019: 139-142. 

Metzger, Sean. “Afterword: The Future Looks FAB” GPS: Global Performance Studies 2.2 2019. http://gps.psi-web.org/issue-2-2/afterword/

Mielke, Laura L. Provocative Eloquence: Theater, Violence, and Antislavery Speech in the Antebellum United States.Ann Arbor: University of Michigan Press, 2019. https://www.press.umich.edu/9958574/provocative_eloquence

Miller, Hillary. “Marching Off-Beat and On Screen: New York’s Reform Movements & Charles Hale Hoyt’s A Milk White Flag.” In Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage, 1890-1920, edited by J. Christopher Westgate and Max Shulman. University of Iowa Press, 2019.

Miller, Hillary. “Television as Theatre Text in the Austere Academy.” RiDE: The Journal of Applied Theatre and Performance,  Vol. 24, no. 3: Creative Pedagogies, Neoliberal Realities (August 2019): pp. 299-315.

Nereson, Ariel. “Allergies, Allegiances, and Authenticity: Bill T. Jones’s Choreography for Broadway.” Studies in Musical Theatre, Vol. 13, No. 1 (Spring 2019): pp. 23-36.

Nereson, Ariel. “Normalizing Disruption: Advocating for Reproductive Health in Academia.” With Adanma Onyedike Barton, Meredith Conti, and Kristi Good. Theatre Topics. Vol. 29, No. 1 (March 2019): pp. 59-70.

Nereson, Ariel. “New Women and Girls of Today in Motion: The ‘Strenuous Clasping’ of Tango Teas.” Performing the Progressive Era: Immigration, Urbanism, and Nationalism on Stage, 1890-1920, eds. Max Schulman and J. Chris Westgate. Iowa City: University of Iowa Press, 2019, pp. 122-140.

Osatinski, Amy. Disney Theatrical Productions: Producing Broadway Musicals the Disney Way. New York: Routledge, 2019. Link

Peris, Lucija. “Disability as Otherness in Bernard Pomerance’s Play The Elephant Man and David Lynch’s Film Adaptation.” Proceedings of the 1st International Artistic and Scientific Conference Persons with Disabilities in Arts, Science and Education, 5-6 December 2019, Academy of Arts and Culture in Osijek, 2020, pp. 702-15.

Schildcrout, Jordan. In the Long Run: A Cultural History of Broadway’s Hit Plays. London and New York: Routledge, 2019. Link

Schildcrout, Jordan. “Thinking Women: The Case of the Spinster Detective in Mary Roberts Rinehart’s The Bat” Journal of American Culture 42:4 (December 2019), 302-311 

Senelick, Laurence.  “Émigré cabaret and the re-invention of Russia,” New Theatre Quarterly (Feb. 2019).

Senelick, Laurence.  Foreword to Performing the Progressive Era: Immigration, Urban Life and Nationalism on Stage, 1890-1920, ed. Max Shulman and J. Chris Westgate (University of Iowa Press, 2019).

Senelick, Laurence. Translation of Antony by Alexandre Dumas.  Broadway Play Publishing, 2019.

Senelick, Laurence.  “Cyrano’s Sodomitical Circle,” Gay & Lesbian Review Worldwide (June 2019).

Senelick, Laurence. Translation of Evgeny Shvarts, The Shadow(Broadway Play Publishing, 2019).

Senelick, Laurence.  “The Ever-widening Contexts of Konstantin Stanislavsky,” keynote address, Stanislavsky Symposium, University of Valletta, Malta (April 2019).

Senelick, Laurence.  Oscar Brockett Award as Outstanding Teacher of Theatre in High Education, 2019.

Vandevender, Bryan M. “They’re Playing My Song: The American Musical in the Me-Decade.” The Routledge Companion to the Contemporary Musical, eds. Jessica Sternfeld and Elizabeth L. Wollman. Routledge, 2019: 29-37.

Abbotson, Susan C. W. “The Little Foxes: A Modern Morality Tale about Restriction and Greed.” Ivo van Hove: From Shakespeare to David Bowie, edited by Susan Bennett and Sonia Massai, Bloomsbury Methuen, 2018.

Abbotson, Susan C. W. “The Crucible: A Play for All Seasons—Assessment of the 1996 Film Version.”Critical Approaches to The Crucible, edited by Robert Evans, Salem, 2018, pp. 64-77.

Abbotson, Susan C. W. “Producing The Skin of Our Teeth by the Skin of Their Teeth: The Changing Dynamic of Wilder’s Apocalyptic Play.”Thornton Wilder in Collaboration: Collected Essays on His Drama and Fiction, edited by Jackson R. Bryer, Judith P. Hallett, and Edyta K. Oczkowicz, Cambridge Scholars, 2018, pp. 103-23.

Abbotson, Susan C. W. “Tennessee Williams.” Visions of Tragedy in Modern American Drama, edited by David Palmer, Methuen, 2018, pp. 75-87.

Abbotson, Susan C. W. “The Influence of Dostoyevsky’s The Brothers Karamazov on the Plays of Arthur Miller.” Arthur Miller Journal, vol. 13, no. 1, Spring, 2018, pp. 2-12.

Appler, Vivian. “ ‘Shuffled together under the Name of a Farce’: Finding Nature in Aphra Behn’s The Emperor of the Moon.” Theatre History Studies(2018)

Bianchini, Natka, “Edward Albee, 1928-2016,” in Visions of Tragedy in Modern American Drama, From O’Neill to the 21st Century, edited by David Palmer. London: Bloomsbury Metheun Drama, 2018, 103-114.

Black, Cheryl and Anne Fletcher, “A Revolutionary Prophecy: the Theatre Union’s Peace on Earth and the Military-Industrial Complex in 1933,” Theatre Annual 71 (2018).

Black, Cheryl. NYPL research fellowship and MU Research Council grant to conduct research on theatre impresario David Belasco for forthcoming book project.

Bogar, Thomas A. Thomas Hamblin and the Bowery Theatre: The New York Reign of “Blood and Thunder” Melodramas. New York: Palgrave Macmillan, 2018.

Bryer, Jackson R., Judith P. Hallett, and Edyta K. Oczkowicz, eds. Thornton Wilder in Collaboration: Collected Essays on His Drama and Fiction. Newcastle upon Tyne: Cambridge Scholars, 2018.

Bryer, Jackson R. “Thornton Wilder.” Visions of Tragedy in American Drama. Ed. David Palmer. London: Bloomsbury, 2018. 53-54.

Callens, Johan.  “From Mourning Becomes Electra to Long Day’s Journey into Night: Ivo van Hove Directs Eugene O’Neill.”  Ivo van Hove on Stage, edited by David Willinger, Routledge, 2018, pp. 236-248.

Callens, Johan. “Tennessee Williams’s Vieux Carré: Caught between Heritage and Themepark.” Interdisciplinarity in the Performing Arts: Contemporary Perspectives, edited by Stefan Aquilina and Malaika Sarco-Thomas, Malta UP, 2018, pp. 213-233.

Callens, Johan, ed. Mediations of Authorship in American Postdramatic Mediaturgies.  Special American Theatre and Drama Society issue. Journal of American Drama and Theatre 30.2 (2018) 1-90.

Cantu, Maya. “The ‘Boy Wonder’ and The Naked Genius: Mike Todd, Gypsy Rose Lee, and the Spectacle of Female Authorship.” New England Theatre Journal, vol. 29, 2018, pp. 55-72.

Cantu, Maya. “‘The World Belongs to the Young?’ Age and the Golden Age Diva in Coco (1969) and Applause (1970).” Studies in Musical Theatre, vol. 12, no. 1 (March 2018), pp. 25-41.

Conti, Meredith. Playing Sick: Performances of Illness in the Age of Victorian Medicine. London: Routledge, 2018.

Conti, Meredith. “‘What if This Bullet is My Legacy?’: The Guns of Hamilton.” Studies in Musical Theatre 12, no. 2 (June 2018), 251-56.

Fisher, James. Historical Dictionary of the American Theater: Modernism. Second Edition, co-authored with Felicia Hardison Londré. Lanham, MD: Rowman & Littlefield, 2018. ISBN-13:978-1-5381-0785-0.

Fitzgerald, Jason. “Ratifying the Myth of Eden: The Open Theater’s Critique of Humanism.” Modern Drama 61.4 (Winter 2018).

Fletcher, Anne. Modern American Drama: Playwriting in the 1930s. Series editors Brenda Murphy and Julia Listengarten. London: Bloomsbury Methuen, 2018.

Fletcher, Anne. “Lillian Hellman,” Visions of Tragedy in Modern American Drama, edited by David Palmer. London: Bloomsbury Methuen, 2018.

Fletcher, Anne.  New York Public Library, Visiting Scholar Fellowship, Summer 2018

Fletcher, Anne. Eugene O’Neill Foundation, Travis Bogard Visiting Artist, Taos House, Summer, 2018

Fletcher, Anne. Everett Helms Fellowship, Lilly Library, University of Indiana, Summer, 2018

Foster, Verna A. “Time and Tragedy in Beth Henley’s The Jacksonian.” Journal of Contemporary Drama in English 6:2 (2018): 265-79.

Galella, Donatella. “Feeling Yellow: Responding to Contemporary Yellowface in Musical Performance,” Journal of Dramatic Theory and Criticism 32, no. 2 (Spring 2018): 67-77.

Galella, Donatella. “Being in ‘The Room Where It Happens’: Hamilton, Obama, and Nationalist Neoliberal Multicultural Inclusion,” Theatre Survey 59, no. 3 (September 2018): 363-385.

Gallagher-Ross, Jacob. Theaters of the Everyday: Aesthetic Democracy on the American Stage. Evanston: Northwestern University Press, 2018. http://www.nupress.northwestern.edu/content/theaters-everyday

Felton-Dansky, Miriam, Jacob Gallagher-Ross, and Tom Sellar, eds. “Spectatorship in an Age of Surveillance.” A special issue of Theatermagazine. (Theatre 48:1 Winter 2018): https://www.dukeupress.edu/spectatorship-in-an-age-of-surveillance

Gibb, Andrew. Californios, Anglos, the the Performance of Oligarchy in the U.S. West. Carbondale: Southern Illinois University Press, 2018.

González Crespán, Araceli. “The Tragic (Male) Hero in the Wake of the New Millenium: Upturning Gender and Sexuality in The Goat, or Who Is Sylvia?” In Sex, Gender, and Sexualities in Edward Albee’s Plays, (Vol 2. of New Perspectives in Edward Albee Studies), edited by John M. Clum and Cormac O’Brien. Leiden/Boston: Brill, 2018. ISBN 978-90-04-35836-2, pp. 121-136.

González Crespán, Araceli. Review of Susan Glaspell’s Poetics and Politics of Rebellion, Emeline Jouve. Acotaciones. Revista de investigación y creación teatral (ISSN: 2444-3948), 2018.

Granshaw, Michelle. “Inventing the Tramp: The Early Tramp Comic on the Variety Stage,” Popular Entertainment Studies 9, no. 1-2 (2018): 44-63.

Hecht, Stuart. Sondheim’s Emotional Striptease: from GYPSY to PASSION. Everything Sondheim (an online publication), Signature Theatre, Arlington, VA 2018, n. p.

Huerta, Jorge A. “The Geopolitical Challenges of Directing Bilingual Plays: From the Mainstream to the Streets. Jimmy A. Noriega and Analola Santana (eds.) Theatre and Cartographies of Power: Repositioning the Latina/o Americas. Southern Illinois University Press, 2018: 268-276.

Huerta, Jorge A. “Fifty Years of Chicano Theater: Mapping the Face(s) of the New American Theatre. In Stephanie Etheridge Woodson and Tamara Underiner (eds.) Theatre, Performance and Change. Palgrave Macmillan (2018): 133-143.

Hughes, Amy E. “Theater; or, Looking beyond Plays and Places,” in “Forum: Nineteenth-Century American Theater and Performance,” ed. Matthew Rebhorn. J19: The Journal of Nineteenth-Century Americanists 6, no. 2 (October 2018): 411–18.

Hughes, Amy E., and Naomi J. Stubbs, eds., and Scott D. Dexter, Technology Director. The Harry Watkins Diary: Digital Edition. 2018. U-M Library Digital Collections. https://quod.lib.umich.edu/h/hwatkins/ A complete, fully searchable, free-to-the-public digital transcription of the pre-Civil War diary written by nineteenth-century US theater-maker Harry Watkins (1825–94).

Hughes, Amy E. and Naomi J. Stubbs, eds. A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century US American Actor. University of Michigan Press, 2018. https://www.press.umich.edu/9290953/player_and_a_gentleman

Hughes, Amy E. “Harry Watkins’s Sword: An Object Lesson in Nineteenth-Century US Theatre Culture.”Theatre Survey 59, no. 3 (September): 340–62.

Jackson-Schebetta, Lisa. ASTR Targeted Area Research Award. 

Jackson-Schebetta, Lisa. “Forms of Truth: Testimonio and Democracy in the Theatrical Lives of Bojayá.” Theatre Journal 70:4 (December 2018): 499-517.

Jackson-Schebetta, Lisa.  Book Review of Latinx Theatre in the Times of Neoliberalism, by Patricia Ybarra.Theatre Journal 70:4 (December 2018): 569–570.

Jackson-Schebetta, Lisa. “In the Heightsat the University of Pittsburgh: Failures, Successes and Change.” Theatre, Performance and Theories of Change, Ed. Tamara Underiner and Stephanie Etheridge. (Cham, Switzerland: Palgrave MacMillan, 2018): 145-154.

Jouve, Emeline, Avignon 1968 & le Living Theatre. Mémoire(s) d’une révolution, Montpellier: Editions Deuxième Epoque, 2018.

Jouve, Emeline. “Gertrude Stein’s ‘Historic Drama’ (1930): Dismembering the Past; Remembering the Present.” Sillages Critiques 24 (2018). http://journals.openedition.org/sillagescritiques/6573

Jouve, Emeline. “The New York Scene in the ‘Theatrical Twenties’.” Teatro e Storia, n. 39, a. XXXII, vol. 10, Roma, Bulzoni Editore, 2018, pp. 171-193.

Jouve, Emeline. « Geography and Plays (1922) : paysages intimes ». Miranda 17 (2018). https://journals.openedition.org/miranda/15605

Jouve, Emeline. « The Living Theatre and the French 1968 Revolution: Of Political and Theatrical Crises. » E-rea 15.2 (2018). https://journals.openedition.org/erea/6370

Kattwinkel, Susan Performing Arts as High-Impact Practice, co-edited with Michelle Hayford. New York: Palgrave, 2018.

Konkle, Lincoln. “‘Preparing the Way’: Our Town and The Skin of Our Teeth as Proto-postmodern Drama.” Thornton Wilder in Collaboration: Collected Essays on His Drama and Fiction. Jackson R. Bryer, Judith P. Hallett, and Edyta K. Oczkowicz, editors. Cambridge Scholars Publishing, 2018, 13-29.

Laine, Eero. “Professional Wrestling Scholarship: Legitimacy and Kayfabe.” The Popular Culture Studies Journal 6.1 (2018): 82–99.

Laine, Eero, ed. “Dramatic Theory?.” Special section. Journal of Dramatic Theory and Criticism 32.2 (Spring 2018): 49–162.

Warden, Claire, Broderick Chow, and Eero Laine. “Working Loose: A Response to ‘Donald Trump Shoots the Match’ by Sharon Mazer.” TDR/The Drama Review 62.2, T238 (Summer 2018): 201–215.

Allen, David and Eero Laine. “The Integrated Spectator: Theatre Audiences and Pedagogy.” Research in Drama Education (2018). Forthcoming in print. https://www.tandfonline.com/doi/full/10.1080/13569783.2018.1494556

Carriger, Michelle Liu and Eero Laine, eds. “Annotating Vegas: Mapping Performance Interventions at ATHE 2017.” Digital Section. Theatre Topics 28.1 (March 2018): E1–E3. https://jhuptheatre.org/theatre-topics/online-content/issue/theatre-topics-volume-28-number-1-march-2018/annotating-vegas.

Londre, Felicia. Modern American Drama: Playwriting in the 1940s: Voices, Documents, New Interpretations. London: Bloomsbury Methuen Drama, published as part of an 8-volume set in 2018; to be available as a single volume in June 1919.  xvii + 306 pp.

Londre, Felicia. Historical Dictionary of American Theater: Modernism, Second Edition, with James Fisher. Lanham Md.: Rowman & Littlefield, 2018.  xxxi + 776pp.

Londre, Felicia. “Collaborations to Counter Menace: Freudian Influence in Wilder’s World War II-Era Works,” in Thornton Wilder in Collaboration: Collected Essays onHis Drama and Fiction, eds. Jackson Bryer, Judith P. Hallett, and Edyta K. Oczkowicz. Cambridge Scholars Publishers, 2018, pp. 124-36.

MacDonald, Laura. “Have I Done Enough?: Lin-Manuel Miranda and Hamilton‘s Culture of Generosity.” Performance Research Journal 23.6 (2018): 40-49.

Mefferd Kelty, Shawna. “We Have Lift-Off: The Pedagogy of Radical Empathy for First-Year Student Success.” Theatre/Practice 7 (2018). http://theatrepractice.us/

Mefferd Kelty, Shawna. 2018 ATHE/KCACTF Region 1 Innovative Teaching Award

Mielke, Laura L. “Native American Presence,” Hawthorne in Context, edited by Monika Elbert. Cambridge: Cambridge University Press, 2018.

Miller, Derek. Copyright and the Value of Performance, 1770 – 1911. Cambridge University Press, 2018.

Miller, Hillary. Review of The Sixties, Center Stage: Mainstream and Popular Performances in a Turbulent Decade edited by James M. Harding and Cindy Rosenthal. Modern Drama 61:2 (2018): 246-249.

Montez, Noe. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina. Carbondale, IL: Southern Illinois University Press, 2018.

Nereson, Ariel. “Communities of Gesture: Empathy and Embodiment in Bill T. Jones/Arnie Zane Dance Company’s 100 Migrations.” The Routledge Companion to Theatre, Performance, and Cognitive Science, eds. Rick Kemp and Bruce McConachie. London: Routledge, 2018, pp. 135-143.

Osatinski, Amy S. “Ghosts in the Machine: Digital Technology and Screen-to-Stage Musicals.” iBroadway, Edited by Jessica Hillman-McCord, Palgrave, 2018.

Plunka, Gene A.  Holocaust Theater: Dramatizing Survivor Trauma and Its Effects on the Second Generation. London and New York: Routledge, 2018.

Posner, Dassia N. “America and the Individual: The Hairy Ape and Machinal at the Moscow Kamerny Theatre.” New Theatre Quarterly 34, no. 1 (2018): 3–15.

Saal, Ilka. “Songs of Social Significance: Theater of the Depression Era.”The Cambridge Companion to American Literature of the 1930s. Ed. William Solomon. Cambridge: Cambridge UP, 2018. 111-126.

Schildcrout, Jordan. “Envisioning Queer Liberation: Communal Visibility in Doric Wilson’s Street Theater.” Modern Drama 61:1 (Spring 2018), 82-105.

Senelick, Laurence. “Orpheus in the Movie World: Offenbach on Film,” in The Composer on Screen.  Essays on Classical Music Biopics, ed. Peter Fryer (McFarland, 2018).

Senelick, Laurence. “Eighteenth-century Russia” in The Commedia dell’Arte in Context, ed. Christopher Balme et al. (Cambridge University Press, 2018).

Senelick, Laurence. Translations of the plays of Georges Feydeau, From Marriage to Divorce: Five one-act plays of Marital Discord; The Lady from Maxim’s; and The Loser (Broadway Play Publishing, 2017-18).

Senelick, Laurence. Translation of Two Plays of Weimar Germany: Youth is a Sickness and Criminals by Ferdinand Bruckner (Northwestern University Press, 2018.

Senelick, Laurence.“La Périchole and Trois Baisers du Diable at the Ohio Light Opera Festival,” Jacques OffenbachSociety Newsletter 85 (Sept. 2018)

Senelick, Laurence.  Translation of Me, Me, Me by Eugene Labiche.  Broadway Play Publishing, 2018.

Senelick, Laurence.  “Signs of the Times: Outdoor Theatrical Advertisement in the Nineteenth Century,”Nineteenth Century Theatre and Film (Nov. 2018).

Senelick, Laurence. Jacques Offenbach and the Making of Modern Culture (2018) cited by the review journal Choice as an Outstanding Academic Title for that year.

Senelick, Laurence.  Historic New England 2018 Prize for Collecting Works on Paper.

Shandell, Jonathan. The American Negro Theatre and the Long Civil Rights Era. Iowa City: University of Iowa Press, 2018.

Vandevender, Bryan M. “Splitting Hair: Reviving the American Tribal Love-Rock Musical in the 1970s.” New England Theatre Journal 29.1 (2018): 31-53.

Vandevender, Bryan M. “My Master is Become a Hot Lover: The Dramaturgical Uses of Sex in Guare and Shapiro’s Two Gentlemen of Verona.” Texas Theatre Journal 14.1 (2018): 18-30.

Abbotson, Susan C. W. “Miller and Morath in Collaboration.” Arthur Miller’s Century, Essays Celebrating the 100th Birthday of America’s Great Playwright, edited by Stephen Marino, Cambridge Scholars, 2017, pp. 193-214.

Abbotson, Susan C.W. Modern American Drama: Playwriting in the 1950s. Methuen, 2017.

Abbotson, Susan C.W. “Arthur Miller as the Moral Voice of America.” Moral Approaches to Literature and Film, edited by Robert Evans, Salem, 2017, pp. 181-96.

Barnette, Jane. Adapturgy: The Dramaturg’s Art and Theatrical Adaptation. Carbondale IL: Southern Illinois University Press, 2017. 

Bennett. Michael Y. Analytic Philosophy and the World of the Play. London: Routledge, 2017.

Bennett, Michael Y., ed. Edward Albee and Absurdism. Leiden: Brill, 2017.

Bennett, Michael Y., ed. Philosophy and Oscar Wilde. New York: Palgrave Macmillan, 2017.

Bennett, Michael Y. Awarded a Visiting Fellowship to Clare Hall, University of Cambridge (Summer 2018)

Bernstein, Robin. “‘I’m very happy to be in the reality-based community’: Alison Bechdel’s Fun Home, Digital Photography, and George W. Bush,” American Literature 89.1 (March 2017): 121-154.

Black, Cheryl and Sharon Friedman, co-authors, Modern American Drama: Playwriting in the 1990s Bloomsbury Methuen Drama, 2017.

Black, Cheryl “American Drama in the 1920s,” in Ichiro Takayoshi, ed., American Literary Culture in the 1920s, Cambridge University Press, 2017.

Bogumil, Mary. “Between You and Me and the More-than-Human World: Ritual and Reference in Jez Butterworth’s The River.” Journal of Contemporary Drama in English 5 (2017): 326-42.

Callens, Johan. “Introduction: Adaptation Reconsidered.” English Text Construction: An English Studies Journal 10.1 (2017) 1-5.

Callens, Johan, ed. Special Adaptation issue. English Text Construction: An English Studies Journal 10.1 (2017) 1-77.

Chansky, Dorothy. 2017 President’s Book Award at Texas Tech University for Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre.

Carlyon, David. “David Stone: Defying the Gravity of Expectations,” The Palgrave Handbook of Musical Theatre Producers, eds. William Everett and Laura MacDonald, Palgrave Macmillan, 2017, 467-77.

DuComb, Christian. Haunted City: Three Centuries of Racial Impersonation in Philadelphia. Ann Arbor: University of Michigan Press, 2017.

Fisher, James. Mary Settle Sharpe Award for Teaching Excellence, University of North Carolina at Greensboro, Greensboro, NC, 2017.

Fleming, John. Davies and Penhall’s Sunny Afternoon. London: Routledge, 2017.

Galella, Donatella. “Diversity in Theatre and Higher Education.” “Archiving ATHE’s Thirtieth Anniversary Conference Plenaries,” ed. Kelly Howe, Theatre Topics 27, no. 1 (2017): 5-6.

Galella, Donatella. “Making Money and Making Art: Arena Stage in the 1960s.” The Sixties, Center Stage: Mainstream and Popular Performances in a Turbulent Decade, eds. James Harding and Cindy Rosenthal. Ann Arbor: University of Michigan Press, 2017.

Galella, Donatella. “Making Musicals that Matter: George C. Wolfe and Oskar Eustis at The Public Theater.” The Palgrave Handbook to Musical Theatre Producers, eds. William Everett and Laura MacDonald. London: Palgrave Macmillan, 2017.

Galella, Donatella, Emily Clark, Stefanie A. Jones, and Catherine Young. “‘I Wanna Be like You’: Negotiating Race, Racism, and Orientalism in The Jungle Book on Stage.” The Disney Musical on Stage and Screen: Critical Approaches from Snow White to Frozen, ed. George Rodosthenous. London: Methuen, 2017.

Geary II, Fonzie. “Desert Anti-Heroes in a Land of Disenchantment: Frontier Violence and American Character in Maxwell Anderson’s Night over Taos and Robert E. Sherwood’s The Petrified Forest.” New England Theatre Journal. Vol. 28, 2017. 91-104.

Hecht, Stuart. “ART for ART’s Sake: The American Repertory Theatre,” In The Palgrave Handbook of Musical Theatre Producers, Laura MacDonald and William Everett, editors (Palgrave Macmillian: London and New York City, 2017), pp 479-486.

Hecht, Stuart. “Presenting Pasts for Presents”, editorial notes, New England Theatre Journal, Volume 28 (2017), pp v-viii.

Hecht, Stuart. Book review of Playing God: The Bible on the Broadway Stage by Henry Bial (University of Michigan Press, 2015) by Theatre Survey, Vol. 58, Number 3 (September 2017), 422-424.

Jackson-Schebetta, Lisa. “Traveler, There is No Road:” Theatre, the Spanish Civil War and the Decolonial Imagination in the Americas. Iowa City: University of Iowa Press, 2017.

Jackson-Schebetta, Lisa. “Mexico, 1680: Decoloniality, the Anthropocene, and Performance History.” Journal of American Theatre and Drama 29:2 (June 2017).

Jackson-Schebetta, Lisa. “Making our Conferences Accessible to All: Best Practices.” Theatre Historiography. 2 March 2017.

Jackson-Schebetta, Lisa. Review of Performance and the Global City, edited by Kim Solga and DJ Hopkins, TDR 61:1 (Spring 2017): 177-179.

Jackson-Schebetta, Lisa. American Theatre and Drama Society Faculty Travel Award. 2017.

Jackson-Schebetta, Lisa.  Book Review of Music, Theatre, and Popular Nationalism in Spain, 1880-1930, by Clinton D. Young.  Revista de Estudios Hispánicos51:3 (Octubre 2017): 740-742.

Johnson, Katie. “An Algerian in Paris: Habib Benglia’s The Emperor Jones.” 69.1 Theatre Journal (2017): 21-41.  Winner of the 2018 Outstanding Article Award by the Association for Theatre in Higher Education.

Jouve, Emeline, Susan Glaspell’s Poetics and Poltitics of Rebellion, Iowa City: University of Iowa Press, 2017.

Jouve, Emeline and Lionell Miniato, Editors, Chronique judiciaire et fictionnalisation du procès, Paris: Marre et Martin,2017.

Klein, Jeanne. “Reclaiming Four Child Actors through Seven Plays in US Theatre, 1794-1800.” Journal of American Drama and Theatre 30.1 (Fall 2017): 1-23.

Klein, Jeanne. “An Epoch of Child Spectators in Early US Theatre.” Journal of the History of Childhood and Youth 10.1 (Winter 2017): 21-39.

Kokai, Jennifer A. Swim Pretty: Aquatic Spectacles and the Performance of Race, Gender, and Nature. Carbondale, IL: SIU Press, 2017.

Kokai, Jennifer A. “Shamu the (Killer) Whale and an Ecology of Commodity” in Showing Off, Showing Up: Studies of Hype, Heightened Performance, and Cultural Power, edited by Laurie Frederik, Kim Marra, and Catherine Schuler. (Ann Arbor: University of Michigan Press, 2017), 81-106.

Kokai, Jennifer A. Awarded the ATHE/KCACTF Innovative Teaching Award for KCACTF Region 8, February 2017.

Konkle, Lincoln. “The Label, or How Should We Classify Edward Albee? Some Notes Toward A Definition of Albee as Postmodern.” Albee and Absurdism: Volume One of New Perspectives in Edward Albee Studies. Ed. Michael Y. Bennett. Brill, 2017, 111-25.

Cervera, Felipe, Shawn Chua, João Florêncio, Eero Laine, and Evelyn Wan, eds. “Syllabi for the Future: A Playlist.” Special section. GPS: Global Performance Studies 1.2 (2017). http://gps.psi-web.org/issue-1-2/syllabi-future-playlist/.

Lang, Theresa. Essential Dramaturgy: The Mindset and Skillset. Routledge, 2017.

Martinson, Karen Jean. “Dancing Around White Fragility: El Vez 4 Prez in the Time of Trump.” Popular Entertainment Studies 8.2 (September 2017): 6-19.

MacDonald, Laura. The Palgrave Handbook of Musical Theatre Producers (edited with William A. Everett, 2017)

MacDonald, Laura. “Tonight I will bewitch the world’: the European musical” (with Judith Sebesta). The Cambridge Companion to the Musical, 3rd edition edited by William A. Everett and Paul Laird, 2017, pp. 339-355.

MacDonald, Laura. “Connection in an Isolating Age: Looking Back on Twenty Years of Engaging Audiences and Marketing Musical Theatre Online.” iBroadway: Musical Theatre in the Digital Age, edited by Jessica Hillman-McCord, Palgrave Macmillan, 2017, pp. 17-42.

MacDonald, Laura. “Off Off Off Off Broadway: Musical Development Out of Town and Regionally.” The Methuen Critical Companion to the American Stage Musical, edited by Elizabeth Wollman, 2017, pp. 214-225.

MacDonald, Laura. “Roth and Son: Daryl Roth and Jordan Roth on Broadway.” The Palgrave Handbook of Musical Theatre Producers, edited by MacDonald and Everett, 2017, pp. 487-496.

MacDonald, Laura. “Trading Globally in Austrian History: Vereinigte Bühnen Wien.” The Palgrave Handbook of Musical Theatre Producers, edited by MacDonald and Everett, 2017, pp. 343-349.

Miller, Derek.”On Bow and Exit Music.” Journal of American Drama and Theater 30, no. 1 (Fall 2017).

Miller, Derek. “Knowledge Transmission: Media and Memory.” In A Cultural History of Theatre, Vol. 5, Peter W. Marx, vol. ed., Christopher Balme and Tracy C. Davis, gen. eds. Bloomsbury Press, 2017.

Miller, Hillary. “Subject to Punishment: Julie Bovasso’s Angelo’s Wedding and the Politics of the Unproduced,” Theatre Survey 58.2 (May 2017): 141-161.

Miller, Hillary. “Hidden Vacancies: Theatre and Real Estate,” Contemporary Theatre Review 27.2 (2017), invited contribution for the online “Interventions.”

Polster, Joshua. The Routledge Anthology of U.S. Drama: 1898-1949, Routledge, (2017).
Link to Book Information.

Posner, Dassia N. “The Stakes of Audience Interpretation in Twentieth–Century Political Theatre.” A Cultural History of Theatre in the Modern Era, ed. Kim Solga. Vol. 6 of A Cultural History of Theatre, ed. Christopher Balme and Tracy Davis. London: Bloomsbury Methuen, 2017.

Posner, Dassia N. The Director’s Prism: E. T. A. Hoffmann and the Russian Theatrical Avant–Garde. Evanston: Northwestern University Press (2017, enhanced e–book). For more information: https://www.fulcrum.org/northwestern

Postlewait, Thomas. “Historical Evidence: Induction, Deduction, Abduction, and Serendipity,” Journal of Dramatic Theory and Criticism 31 (Spring 2017): 9-32.

Rosenthal, Cindy. Ellen Stewart Presents: Fifty Years of La MaMa Experimental Theatre. Ann Arbor, MI: University of Michigan Press, 2017.

Saal, Ilka. “On the Portability and Meanings of Blackness in Young Jean Lee’s The Shipment (2009).” JCDE: Journal of Contemporary Drama in English 5.1(2017): 98-111. https://www.degruyter.com/view/j/jcde.2017.5.issue-1/jcde-2017-0008/jcde-2017-0008.xml?format=INT

Schildcrout, Jordan. “Legitimate: Jerry Douglas’s Tubstrip and the Erotic Theatre of Gay Liberation.” Journal of American Drama and Theatre 30:1 (Fall 2017).

Senelick, Laurence. Jacques Offenbach and the Making of Modern Culture (Cambridge University Press, 2017).

Senelick, Laurence. translation of Sophocles’s Oedipus the King(Broadway Play Publishing, 2017).

Senelick, Laurence. “Sexuality and Gender” in A Cultural History of Theatre in the Age of Empire, ed. Peter Marx (Bloomsbury, 2017).

Senelick, Laurence.  “Musical Theatre as a Paradigm of Translocation,” Global Theatre History 2, 1 (Translocal Theatre History) (2017): 22-36.

Senelick, Laurence. Inducted into the College of Fellows of the American Theatre. Investiture April 2017, Kennedy Center, Washington DC.

Sofer, Andrew. “Tragedy and the Common Goat: Deperformative Poetics in Edward Albee’s The Goat, or Who Is Sylvia?” Modern Drama 60 (Winter 2017): 501-525.

Sofer, Andrew. Interdisciplinary Ph.D. in Theatre and Drama (IPTD) Annual Distinguished Lecture at Northwestern University on February 6 2017. “”How To Undo Things With Words.”

Sofer, Andrew. Keynote address at the University of Wisconsin-Madison TDGSO Conference “Materiality and Invisibility in Drama, Theatre, and Performance Studies” on April 14 2018.  “The Gravity of Genre: Toward a General Theory of Theatrical Matter.”

Vandevender, Bryan M. “Rise Again Digitally: Musical Revivals and Digital Dramaturgy on Broadway,” iBroadway: Musical Theatre in the Digital Age, ed. Jessica Hillman-McCord. Palgrave Macmillian, 2017: 309-329.

Vandevender, Bryan M. “Our Brand is Revival: The Roundabout Theatre Company.” The Palgrave Handbook to Musical Theatre Producers, eds. William A. Everett and Laura MacDonald. Palgrave Macmillian, 2017: 385-391.

Vandevender, Bryan M. “Reclaiming, Restoring, and Reviving the American Musical: City Center Encores!” The Palgrave Handbook to Musical Theatre Producers, eds. William A. Everett and Laura MacDonald. Palgrave Macmillian, 2017: 393-403.

Baxter, Jane Eva, Shauna Vey, Erin Halstad McGuire, Suzanne Conway, and Deborah Blom. “Reflections on Interdisciplinarity in the Study of Childhood in the Past.” Childhood in the Past, 10, 1 (2017): 1-15.

Vey, Shauna. Review of Child Labor in the British Victorian Entertainment Industry, 1875–1914 by Dyan Colclough. The Journal of the History of Childhood and Youth, 10, 1 (Winter 2017): 149-151.

White, Ann Folino. Distinguished Professor of the Year Award, Michigan Association of State Universities, 2017.

Abbotson, Susan C.W. Inducted into the English Honors Society, Sigma Tau Delta. 2016.

Abbotson, Susan C.W. “Introduction.” Arthur Miller’s Collected Essays, edited by Susan C. W. Abbotson, Penguin, 2016, pp. xiii-xxviii.

Abbotson, Susan C.W. “Re-evaluating the Lasting Legacy of August Wilson’s Ten-play Cycle.” August Wilson’s Pittsburg Cycle: Critical Perspectives on the Plays, edited by Sandra Shannon, McFarland, 2016, pp.187-202.

Abbotson, Susan C.W. “Visions of Tragedy in American Theatre.” (With David Palmer, Jeffery Kennedy, Sharon Friedman, Jackson R. Bryer, Stephen A. Marino, Natka Bianchini, Brenda Murphy, and Sandra Shannon) Text and Presentation: 2015, edited by Graley Herren, McFarland, 2016, pp. 24-41.

Abbotson, Susan C.W. “The Influence of Arthur Miller on American Theatre and Culture and the Global Implications of His Plays.” Oxford Research Encyclopedia of Literature, Oxford UP, Dec., 2016, DOI: 10.1093/acrefore/9780190201098.013.247.

Appler, Vivian. “Moonwalking with Laurie Anderson: Imagining a Feminist Performance of Science in Laurie Anderson’s The End of the Moon.” Journal of American Drama and Theatre. 28.2 (Spring 2016)

Appler, Vivian. “Among Actions, Objects, and Ideas: The Telescope in Thomas Tomkis’s Albumazar.” Comparative Drama 50.1 (Spring 2016)

Bank, Rosemarie, “Ethics and Bias:  Historiography and Anti-Theatrical Prejudice in Nineteenth-Century America.”  In Theatre History and Historiography: Ethics, Evidence, and Truth, eds. Claire Cochrane and Jo Robinson (Palgrave, 2016).

Bay-Cheng, Sarah. “Unseen: Performance Criticism in an Age of Digital Recordings,” Theater 4.2 (2016): 77-85.

Bean, Heidi R. “Bunny Lang and the Cambridge Poets’ Theatre in the 1950s.”  Beat Drama: Playwrights and Performances of the `Howl’ Generation.  Ed. Deborah Geis.  London and New York: Methuen Drama, an Imprint of Bloomsbury Publishing Plc, 2016. 139-153.

Bernstein, Robin. “The Impact of Two Decades’ Queer Theatre Scholarship: A Personal Narrative,” Theatre Topics 26.1 (March 2016): 38-39.

Bial, Henry and Sara Brady, eds. The Performance Studies Reader, Third Edition. London: Routledge, 2016.

Black, Cheryl and Jonathan Shandell, Editors, Experiments in Democracy: Interracial and Crosscultural Exchange in American Theatre, 1912-1945. Carbondale, IL: SIU Press, 2016.

Brody, Jane Drake. Acting, Archetype, and Neuroscience: Superscenes for Actors, Directors, and Teachers. Routledge. September 2016.

Buckner, Jocelyn, Editor. A Critical Companion to Lynn Nottage. New York: Routledge, 2016.

Callens, Johan. “Transcendence Through Evil: Homicide as Tragic Thriller.” European Journal of American Culture 35.3 (2016): 173-187.

Carlyon, David. The Education of a Circus Clown: Mentors, Audiences, Mistakes. London and New York: Palgrave Macmillan, 2016.

• Stuart Thayer Prize, Circus Historical Society, Best Circus Book, 2016

• American Theater and Drama Society’s “Brilliance of the American Theatre” reading, Drama Book Shop, New York, New York, March 24, 2016

• Gerald Freedley Memorial Award, finalist, Theatre Library Association (TLA), exemplary writing in live performance, 2017.

Chansky, Dorothy. Outstanding Researcher in the College of Visual and performing Arts at Texas Tech, 2016.

Clericuzio, Alessandro. Tennessee Williams and Italy. A Transcultural Perspective. London and Cham (SW): Palgrave Macmillan, 2016

Dail, Chrystyna. Stage for Action: U.S. Social Activist Theatre in the 1940s. Carbondale: SIU Press, 2016.

Fischer, Iris Smith, guest editor. “Scientific Research and Inquiry in American Theatre” (special issue sponsored by ATDS), Journal of American Drama and Theatre 28, 2 (Spring 2016). To view the issue contents, go to http://jadtjournal.org.

Foster, Verna A. “Meta-melodrama: Branden Jacobs-Jenkins Appropriates Dion Boucicault’s The Octoroon,” Modern Drama 59, 3 (Fall 2016): 285-305.

Hecht, Stuart, “Jazz, Jews and Modernism on Broadway: from Lady, Be Good! to Show Boat” for Jonathan Shandell and Cheryl Black’s book, Experiments in Democracy: Inter- Racial and Cross-cultural Exchange in American Theatre and Performance During the Pre-Civil Rights Era (Southern Illinois University Press, 2016)

Hecht, Stuart, “McCarthy gegen Mostel: Ein jüdischer Broadwaystar überlebt die Schwarze Liste,” Jüdischer Almanach, Musik, Gisela Dachs (ed.), 250 Pages, Jüdischer Verlag-Suhrkamp, Berlin 2016

Hecht, Stuart. “Musicals as cultural collisions” Introductory essay for volume. Studies in Musical Theatre, 10: 3 (2016): pp. 311-15.

Hecht, Stuart. “Wintergreen for President!”, editorial notes, New England Theatre Journal, Volume 27 (2016), pp iv-vii.

Jackson-Schebetta, Lisa, “Worlds of More than One: Pedagogies of Care and Naomi Iizuka’s Good Kids.” Theatre Topics 26:3 (November 2016): 295-306.

Jackson-Schebetta, Lisa. Barry Witham American Theatre and Drama Society Fellow, 2016-2017.</

Jones, Megan Sanborn and Callie Oppedisano. “Profile on Mormon Playwriting,” Ecumenica 8,2 (Spring 2016): 45-48.

Jones, Megan Sanborn. “Testimony in the Muscles, in the Bone: Proxy Performance at the Mesa Easter Pageant.” Mormon Studies Review 3 (2016): 11-18.

Jouve, Emeline, Aurélie Guillain, and Laurence Talairach-Vielmas, Editors, Unspeakable Acts: Murder by Women, Berne: Peter Lang, 2016.

Jouve, Emeline. Review of Self and Space in the Theatre of Susan Glaspell, Noelia Hernando-Real. Theatre History Studies 33 (2016).

Jouve, Emeline. “Interview with Andrew Schneider: New York Express (1)”, Miranda 13 (2016) Link.

Jouve, Emeline. “Interview with Annie Dorsen New York Express (2)”, Miranda 13 (2016) Link.

Jouve, Emeline. “Entretien avec Lise Avignon et Emma Morin, Gertrude Stein au théâtre : Le monde est rond (G. Stein, L. Avignon) ; Listen to Me (G. Stein, E. Morin) ”, Miranda 13 (2016) Link.

Jouve, Emeline. “Rencontre autour de Robert Wilson: Bob meets Sam”, Miranda 12 (2016) Link.

Mielke, Laura L. “Transforming Captivity Narratives in Kevin Willmott’s The Only Good Indian.” American Studies 55,1 (May 2016): 5-30.

Miller, Derek. “Average Broadway,” Theatre Journal 61, 4 (December 2016): 529–553.

Miller, Derek. “The Salve of Duty: Global Theater at American Borders, 1875-1900.” Journal of Global Theatre History 1, 1 (2016): 20-33.

Polster, Joshua. Stages of Engagement: U.S. Theatre and Performance 1898-1949. London and New York: Routledge, 2016.

Polster, Joshua. Ed. The Routledge Anthology of US Drama 1898-1949. London and New York: Routledge, 2016.

Saal, Ilka. “Theatricality in Contemporary Visual and Performance Art on New World Slavery.” Oxford Handbooks Online: Literature (June 2016). Online.

Senelick, Laurence. “Odysseus in Academe,” Theatre Survey 57, 3 (Sept. 2016): 383-85

Senelick, Laurence. “Offenbach, Wagner, Nietzsche: The Polemics of Opera,” New Theatre Quarterly (Feb. 2016): 1-16.

Shulman, Max, “Tuning the Black Voice: Colordeafness and The American Negro Theatre’s Radio Dramas.” Modern Drama, 59.4 (Winter 2016).

Shulman, Max, “Everyday Astonishment and Crafting the Theatrical: Speaking with David Down on Undergraduate Acting Training.” Theatre Topics, 26.1 (March 2016).

Stephenson, Bradley. “This In-Between Life: Disability, Trans-Corporeality, and Radioactive Half-Life in D.W. Gregory’s Radium Girls,” Journal of American Drama and Theatre 28, 2 (Spring 2016).

White, Ann Folino. 2016 CLR James Book Award, Working Class Studies Association – for Plowed Under: Food Policy Protests and Performance in New Deal America.

Abbotson, Susan C.W. Mary Tucker Thorp College Professorship Award, RIC. 2015-16.

Abbotson, Susan C.W. “Sex on Broadway: Mae West and the Wales Padlock Law.” Stages of Engagement: US Theatre and Performance 1898-1949, edited by Joshus Polster, Routledge, 2015, pp. 144-57.

Abbotson, Susan C.W. “Why Arthur Miller Is Important.” Arthur Miller Journal, vol. 10, no. 2, Fall, 2015, pp. 88-90.

Anthony, M. Susan. “Not a ‘Whorish Actress:’ Celebrity on the Early American Stage. Journal of American Culture. 38 (Dec. 2015): 401-412.

Bank, Rosemarie K. and Michal Kobialka (eds.). Theatre/Performance Historiography: Time, Space, Matter. New York: Palgrave Macmillan, 2015.

Bank, Rosemarie K.  “Labor, Theatre, and the Dream of the White City.”  In Working in the Wings: New Perspectives on Theatre History and Labor. Eds. Elizabeth A. Osborne and Christine Woodworth.  Carbondale, Il.:  Southern Illinois University Press, 2015:  170-180.

Bay-Cheng, Sarah, Jennifer Parker-Starbuck, and David Z. Saltz. Performance and Media: Taxonomies for a Changing Field. University of Michigan Press, 2015.

Bay-Cheng, Sarah. “Virtual Realisms: Dramatic Forays into the Future,” Theatre Journal 67.4 (December 2015): 686-698.

Bean, Heidi R. “Learning from the Dramaturg: Suzan-Lori Parks’s The America Play in the Literature Classroom.” Modern Drama 58.3 (September 2015): 324-346.

Bial, Henry. Playing God: The Bible on the Broadway Stage. Ann Arbor: University of Michigan Press, 2015.

Bianchini, Natka. Samuel Beckett’s Theatre in America: The Legacy of Alan Schneider as Beckett’s American Director. Palgrave, 2015.

Brody, Jane Drake. The Actor’s Business Plan: A Career Guide for the Acting Life. London. Bloomsbury. 2015

Callens, Johan. “Recalibrating  O’Neill’s Modern Tragedy: Staging Long Day’s Journey into Night in the Low Countries.” Eugene O’Neill Review 36.1 (2015): 29-47.

Callens, Johan. “(Ré)animer les spectres du théâtre intermédial: Hier Ist der Apparat de Chris Kondek.”  [“Reanimating the Ghosts in the Machine (Again): Chris Kondek’s Hier Ist der Apparat”]  Théâtre et intermédialité.  Ed. Jean-Marc Larrue. Arts du spectacle – Images et sons.  Lille: Presses Universitaires du Septentrion, 2015.  169-186

Callens, Johan. “The Volatile Value of Suffering: Jan Ritsema’s PhiloktetesVariations.” The Trojan Wars and the Making of the Modern World: Classical Reception after Antiquity. Ed. & introd. Adam J. Goldwyn. Studia Graeca Upsaliensia vol. 22. Uppsala: Uppsala UP, 2015. 223-244.

Cantu, Maya. American Cinderellas on the Broadway Musical Stage: Imagining the Working Girl from Irene to Gypsy. New York: Palgrave Macmillan, 2015.

Carlyon. David. “From the Broadway Tabernacle to the Gettysburg Battlefield: Did Edwin Forrest Influence Abraham Lincoln?,” Theatre Survey 56:1 (Jan. 2015): 71-94.

Chansky, Dorothy. Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre. Iowa City: University of Iowa Press, 2015.

Chansky, Dorothy and Ann Folino White, ed. Food and Theatre on the World Stage. London and New York: Routledge, 2015.

Cherry, James M. “Theater and Ritual in American Politics.” American Political Culture, (ABC-CLIO, 2015): 1097-1103.

Dail, Chrystyna. “Driving Race Work: The UAW, Detroit, and Discrimination for Everybody!” In Working in the Wings: New Perspectives on Theatre   History and Labor, edited by Beth Osborne and Chris Woodworth, 23 – 35. Carbondale: SIU Press, 2015.

DiCintio, Matt. “Research Strategies in Dramaturgical Practice.” In The Routledge Companion to Dramaturgy. Edited by Magda Romanska. London/New York: Routledge, 2015. 304-07.

Fischer, Iris Smith. “Paradoxes of Reason and Inquiry in the Aesthetics of Francois Delsarte,” Semiotics 2014. Ottawa, CA: Legas, forthcoming 2015.

Fisher, James. Historical Dictionary of American Theater: Beginnings. Rowman & Littlefield Publishers, 2015.

Jones, Megan Sanborn.  “Mormons Think They Should Dance.”  In Play, Performance, and Identity: How Institutions Structure Ludic Spaces, Matt Omasta and Drew Chappell, eds.  New York: Routledge Advanced in Theatre and Performance Studies, 2015.

Jouve, Emeline. Susan Glaspell’s Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews, and Adaptations, co-edited with Martha C. Carpentier, Jefferson: McFarland, 2015.

Jouve, Emeline. « Du presque-rien au presque-tout : le dévoilement de l’invisible dans Trifles (1916) de Susan Glaspell », E-rea , 12.2 (2015). Link.

Jouve, Emeline. “Gender and Race Trouble: The Emperor Jones by The Wooster Group”, Revue ANGLES (SAES) 2015. Link.

Jouve, Emeline. “The Big Art Group’s Flicker (2002): Stiching the Eye/I.” Liminalities: A Journal of Performance Studies Vol. 11, No. 2 (June 2015) Link.

Jouve, Emeline. Review of Looking at Medea: Essays and a Translation of Euripides’ Tragedy, ed. David Stuttard. Caliban n° 53, 2015.

Jouve, Emeline. “Promoting Gender Equity on the American Stage (1): League of Professional Theatre Women”, Miranda 11 (2015) Link.

Jouve, Emeline. “Promoting Gender Equity on the American Stage (2): 50/50 in 2020”, Miranda 11 (2015) Link.

Londré, Felicia Hardison. “The Range of Laughter: First-Person Reports from Entertainers of the Over There Theatre League,” Humor, Entertainment, and Popular Culture during World War I, ed. by Clémentine Tholas-Disset and Karen A. Ritzenhoff. New York: Palgrave Macmillan, 2015, 169-179.

Londré, Felicia Hardison. “Elsie’s Big Show: From Entertainment Under Fire to Firing Stories in All Directions,” Old Stories, New Readings: The Transforming Power of American Drama, ed. by Miriam López-Rodríguez, Immaculata Pineda-Hernández, and Alfonso Ceballos Muõz. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015, 71-83.

Martinson, Karen Jean. “Ain’t That a Shame?: Trayvon’s Trauma Revealed through the Theatre of TNT.” Cultural Studies in Critical Methodologies. 15:4 (August 2015), 271-277.

Martinson, Karen Jean. “’The Way Through’: Social Action and the Critical Embrace of Failure.” Theatre Topics. 25:2 (June 2015), 149-160.  

“The Truth N Trauma Project: Addressing Community Violence Through a Youth-Led, Trauma-Informed and Restorative Framework.” (Lead Author: Troy Harden; Contributing Authors: Thomas Kenemore, Kimberly Mann, Michael Edwards, Christine List, and Karen Jean Martinson). Child & Adolescent Social Work Journal. 32:1 (February 2015), 65-79. 

Mayer, David. Bandits! or The Collapsing Bridge: an early film and a late-Victorian stage. London (UK), Society for Theatre Research, 2015.

Mielke, Laura L. and Martha Baldwin. “‘a black diamond among thim American wifes’: Kate Edwards Swayze’s Anti-Slavery Adaptation of George Colman’s Inkle and Yarico.” Edited with Martha Baldwin. Scholarly Editing 2015. Online: www.scholarlyediting.org.

Nees, Heidi L. “Review of world premiere Off the Rails by Randy Reinholz.” Native Voices at the Autry, Los Angeles. 28 February 2015. Theatre Journal, Vol. 67, No. 4 (December 2015).

Saal, Ilka. “The Taste for Whiteness: Kara Walker’s Marvelous Sugar Baby (2014).” Food, Fatness and Fitness. Critical Perspectives. 27. Apr. 2015. Web.

Saal, Ilka. “Susan Glaspell’s Radicalization of Women’s Crime Fiction: Female Reading Strategies from Anna Katharine Green to Sara Paretsky,” co-written with Mareike Dolata. On Susan Glaspell’s Trifles and “A Jury of Her Peers”: Centennial Essays, Interviews and Adaptations. Eds. Martha Carpentier and Emeline Jouve. Jefferson: McFarland, 2015. 62-78.

Saal, Ilka. “Of Diggin’ and Fakin’: Historiopoiesis in Suzan-Lori Parks and Contemporary African American Culture.” African American Culture & Society Post Rodney King: Provocations & Protests, Progression & ‘Post-Racialism’. Eds. Jo Metcalf and Carina Spaulding. Farnham: Ashgate, 2015. 67-81.

Saal, Ilka. “‘Just as Good as the Real Thing’: Exploring Historiopoiesis in Contemporary African American Literature.” Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture. Eds. Sebastian M. Herrmann, Carolin Alice Hofmann, Katja Kanzler, Stefan Schubert, Frank Usbeck. Heidelberg: Winter, 2015. 215-34.

Senelick, Laurence, Translator. The Ghost Sonata, by August Strindberg (New York: Broadway Play Publishing, 2015).

Senelick, Laurence. “Brief Encounters: Mikhail Chekhov and Shakespeare,” The Routledge Companion to Michael Chekhov, ed. Marie-Christine Autant-Mathieu and Yana Meerzon (Routledge, 2015), pp.141-60.

Senelick, Laurence. “Lesbians, Please Leave the Stage!” Gay and Lesbian Review Worldwide (May-June 2015): 25-28.

Senelick, Laurence. “The opening night of Vert-Vert,” Jacques Offenbach Society Newsletter 71 (Mar. 2015): 17-23.

Senelick, Laurence. “How Ibsen Fared in Russian Culture and Politics,” Ibsen Studies (2015): 1-18.

Senelick, Laurence. A Historical Dictionary of Russian Theatre, 2nd edition revised and enlarged (Scarecrow Press, 2015).

Vey, Shauna. Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors. Carbondale, IL: SIU Press, 2015.

White, Ann Folino. Plowed Under: Food Policy Protests and Performance in New Deal America. Bloomington: Indiana University Press, 2015.

Young, Catherine. “‘A Very Good Act For an Unimportant Place’: Animals, Ambivalence, and Abuse in Big-Time Vaudeville,” in Performing Animality: Animals in Performance Practices, ed: Jennifer Parker-Starbuck and Lourdes Orozco (Houndmills: Palgrave Macmillan, 2015): 77-96.

Abbotson, Susan. “Arthur Miller.” Contemporary American Dramatists. Eds. Martin Middeke, Matthew Roudané, and Peter Paul Schnierer. London: Bloomsbury Academic, 2014. 206-23.

Bianchini, Natka. “Waiting for Triumph: Alan Schneider and the American Response to Waiting for Godot,” Journal of American Drama and Theatre. 26 (Winter 2014), 97-120.

Callens, Johan. “The Place of the Visual Arts within the Broad Spectrum of Performance Studies.”  Enjeux et Positionnements de l’Interdisciplinarité / Positioning Interdisciplinarity.  Ed. Claudine Armand, Vanessa Boullet and David Ten Eyck.  Nancy: Presses Universitaires de Nancy (PUN)/Éditions Universitaires de Lorraine, 2014.  133-152.

Callens, Johan. “Tennessee Williams and Ivo van Hove at Home Abroad.” Tennessee Williams and Europe: Intercultural Encounters, Transatlantic Exchanges, ed. John S.Bak.  DQR Studies in Literature, Volume 54. Amsterdam: Rodopi, 2014.  301-319.

Callens, Johan. “Recursion, Iteration, Difference.” Performance Studies: Key Words, Concepts, and Theories, ed. Bryan Reynolds. London: Palgrave Macmillan, 2014.  76-83.

Callens, Johan. Dramaturgies in the New Millennium: Relationality, Performativity, and Potentiality. Ed. and introd. Katharina Pewny, Jeroen Coppens and Johan Callens, Forum Modernes Theater Schriftenreihe vol 44 [Book Series]. Tübingen: Narr Francke Attempto Verlag, 2014.

James M. Cherry. “Parody, E.E. Cummings, and the Twentieth-Century Rebuilding of Uncle Tom’s Cabin.” Modern Drama 57:2 (June 2014): 187-206.

Jouve, Emeline. Review of Performing Gender Violence, eds. Barbara Ozieblo, Noelia Hernando-Real. The Journal of Contemporary Drama in English 2, Issue 1. Mai 2014.

Cummings, Scott T. and Erica Stevens Abbitt (editors). The Theatre of Naomi Wallace: Embodied Dialogues. New York, NY: Palgrave Macmillan, 2013.

Dail, Chrystyna. “Locating Fascism by Dislocating War, “Theatre History Studies 33 (2014): 151 – 168

DesRochers, Rick. The Comic Offense from Vaudeville to Contemporary Comedy: Larry David, Tina Fey, Stephen Colbert, Dave Chappelle. New York: Bloomsbury, 2014.

DesRochers, Rick. The New Humor in the Progressive Era: Americanization and the Vaudeville Comedian. New York: Palgrave Macmillan, 2014.

DesRochers, Rick. “The Mythology of History, Family and Performance” in Suzan-Lori Parks in Person: Interviews and Commentaries, eds. Phillip C. Kolin and Harvey Young. New York: Routledge, 2014.

DiCintio, Matt. “Research Strategies in Dramaturgical Practice.” In The Routledge Companion to Dramaturgy, edited by Magda Romanska. New York: Routledge, 2014. 304-07.

Falocco, Joe. “‘Shakespeare has it both ways’: Character and Form in Performance,” New England Theatre Journal 25 (2014), Forthcoming.

Fischer, Iris Smith. “On the Realistic Hypostatization of Relations,” Charles S. Peirce in His Own Words: 100 Years of Semiotics, Communication, and Cognition. Amsterdam: Mouton, 2014: 193-199+refs.

Fischer, Iris Smith. Obituary: “Frederick Neumann (1926-2012),” Journal of Beckett Studies 23 (2014): 114-124.

Granshaw, Michelle. “The Mysterious Victory of the Newsboys: The Grand Duke Theatre’s 1874 Challenge to the Theatre Licensing Law.” Theatre Survey 55, 1 (January 2014): 48-80.

Hecht, Stuart. Book review of Mark Blitzstein: His Life, His Work, His World, by Howard Pollack (Oxford University Press, 2012). In  Journal of Dramatic Theory and Criticism, Vol XXVIII, No. 2 (Spring 2014), 89-91

Hecht, Stuart  From Blacklist to “Free”: the Musical Liberation of Zero Mostel, The Sondheim Review, Vol. XX, No. 3 (Summer 2014), 23-2.

Hecht, Stuart. “In Memoriam: Robert Sickinger, 1927-2013,” American Theatre, September 13, 2013, p. 21.

Hecht, Stuart. Book review, “Our Yiddish Theatre, Ourselves” of Inventing the Modern Yiddish State: Essays in Drama, Performance, and Show Business. Joel Berkowitz and Barbara Henry, eds.(Detroit: Wayne State University Press, 2012). In H-Net Reviews in the Humanities and Social Sciences, H-Judaic (June, 2013).

Hecht, Stuart. Transposing Broadway: Jews, Assimilation, and the American Musical. Palgrave MacMillan, 2011. New paperback version.

Hurt, Melissa. Arthur Lessac’s Embodied Actor Training. New York, NY: Routledge, 2014.

Hurwitz, Nathan. A History of the American Musical Theatre: No Business Like it. London, UK, Routledge, 2014.

Jouve, Emeline. “Through the Looking Glass. The Wooster Group’s The Emperor Jones (1993, 2006, 2009): Representation and Transgression.” Revista de Estudios Norteamericanos 17 (2014): 55-74. Link.

Jouve, Emeline. “Geography and Plays: Spaces in Gertrude Stein’s Early Plays (1913-1919)”. South Atlantic Review 76.4 (2014): 101-116.

Londré, Felicia Hardison. “Sarah Bernhardt’s Last Stand in America: How the One-Legged Actress Promoted American Involvement in the Great War,” New England Theatre Journal 25 (2014), 1-24.

Londré, Felicia Hardison. “En Avant! Tennessee Williams between Hyperborea and the Mediterranean,” Tennessee Williams and Europe: Intercultural Encounters, Transatlantic Exchanges, ed. by John S. Bak. Amsterdam: Rodopi, 2014.  Also published in DQR Studies in Literature, Volume 54 (2014), 27-41.

Londré, Felicia Hardison. “’A Vast Traumatic Eye’: Culture Absorbed and Refigured in Tennessee Williams’s Transitional Plays,” The Theatre of Tennessee Williams, ed. Brenda Murphy. London: Bloomsbury, 2014, pp. 232-243.

MacDonald, Laura and Myrte Halman. “Geen Grenzen Meer: An American Musical’s Unlimited Border Crossing,” Theatre Research International, 39, 3 (October 2014) pp 198-216.

Magelssen, Scott. Simming: Participatory Performance and the Making of Meaning. Ann Arbor, MI: University of Michigan Press, 2014.

Martinson, Karen Jean. “Relic, Souvenir, or Just Hair?: Exploring the Complexities of Objects as Actants and Things as Mementos in the Merchandise of El Vez, The Mexican Elvis.” Performing Objects and Theatrical Things. eds. Joanne Zerdy and Marlis Schweitzer. New York: Palgrave Macmillan, 2014, 174-184.

Schildcrout, Jordan. Murder Most Queer: The Homicidal Homosexual in the American Theater. Ann Arbor, MI: University of Michigan Press, 2014.

Shulman, Max. “Beaten, Battered, and Brawny: American Variety Entertainers and the Working- Class Body.” Working in the Wings: New Perspectives on Theatre History and Labor. Eds. Beth Osborne and Christine Woodworth. S. Illinois University Press, 2014.

Sofer, Andrew. Dark Matter: Invisibility in Drama, Theater, and Performance. Ann Arbor, MI: University of Michigan Press, 2013.

Thomas, LaRonika. “Digital Dramaturgy and Digital Dramaturgs.” In The Routledge Companion to Dramaturgy. Edited by Magda Romanska, 506-511. New York: Routledge, 2014.

Vey, Shauna. “An American Antebellum Child-Actor Contract: Alfred Stewart and the Shift from Craft Apprentice to Wage Laborer.”  In Enteraining Children: The Participation of Youth in the Entertainment Industry, edited by Gillian Arrighi and Victor Emeljanow, 33-50. NY: Palgrave, 2014.

Abbotson, Susan C. W. “Miller’s Debt to Thornton Wilder—To The American Clock by The Skin of Our Teeth.” Thornton Wilder: New Perspectives. Eds. Jackson Bryer and Lincoln Konkle. Evanston, IL: Northwestern UP, 2013. 189-206.

Bogar, Thomas A. Backstage at the Lincoln Assassination: the Untold Story of the Actors and Stagehands at Ford’s Theatre. Regnery History, 2013.

Bloom, Arthur. Edwin Booth: A Biography and Performance History: McFarland & Co., 2013.

Chansky, Dorothy.  “American Higher Education and Dramatic Literature In(to) English,” Theatre Survey 54:3 (Sept., 2013): 419-438.

Crespy, David. Richard Barr: The Playwright’s Producer. Carbondale, IL: SIU Press, 2013.

Curry, J.K. “Kate Claxton, Fire Jinx: The Aftermath of the Brooklyn Theatre Fire,” Performance Research 18, 1 (February 2013): 64-69.

DesRochers, Rick. The New Humor and American Vaudeville in Contemporary Society: Larry David, Tina Fey, Stephen Colbert, Dave Chappelle. Continuum Books, 2013.

Falocco, Joe. “Cibber, Barrymore, Barton and the History of Richard III in Performance,  Upstart Crow 1 (August 2013), Web.

Falocco, Joe. “Abridged Acting Editions of Shakespeare in the Twenty-First Century.” Texas Theatre Journal 9 (2013), 55-68.

Fischer, Iris Smith. “Theatre at the Birth of Semiotics: Charles Sanders Peirce, Francois Delsarte, and James Steele Mackaye,” Transactions of the Charles S. Peirce Society: A Quarterly Journal of American Philosophy, 49,3 (2013): 371-394.

Foster, Verna A. “After Chekhov: The Three Sisters of Beth Henley, Wendy Wasserstein, Timberlake Wertenbaker, and Blake Morrison,” Comparative Drama 47 (Winter 2013): 451-72.

Friedman, Sharon. “What there is behind us”: Susan Glaspell’s Challenge to Nativist Discourse in Stage Adaptations of her Harper’s Monthly Fiction,” in Intertextuality in American Drama, eds. Drew Eisenhauer and Brenda Murphy, McFarland & Company, 2013.

Geary, Fonzie D., II “Love and…Marriage? Maxwell Anderson’s Advice to ‘Saturday’s Children’ Regarding the Marriage Crisis in America.” New England Theatre Journal, 24, (2013): 13-31.

Geary, Fonzie D., II. “What Good Old Days? Maxwell Anderson Confronts Capitalism and Marriage with a Ride on ‘The Star-Wagon,’” Journal of American Drama and Theatre 25, 2 (Spring 2013): 59-76.

Goldstein, Tara. Zero Tolerance and Other Plays: Disrupting Xenophobia, Racism and Homophobia at School. Rotterdam, The Netherlands: Sense Publishers, 2013.

González Crespán, Araceli. “Educational Dramatics: The Instructional Qualities of Fefu and Her Friends”, Revista de Estudios Norteamericanos 17 (2013): 45-59.

Jouve, Emeline. “Intertextual Insanities in Susan Glaspell’s The Verge(1921)” in Intertextuality in American Drama, eds. Brenda Murphy and Drew Eisenhauer. McFarland, 2013 : 154-168.

Jouve, Emeline. Review of The Cambridge Companion to African American Theatre, ed. Harvey Young. Cercles Mai 2013 Link.

Schanke, Robert A. Queer Theatre and the Legacy of Cal Yeomans, paper edition. Palgrave Macmillan, 2013.

Stubbs, Naomi J. Cultivating National Identity through Performance: American Pleasure Gardens and Entertainment. New York: Palgrave, 2013.

Tenneriello, Susan. Spectacle Culture and American Identity, 1815-1940. Palgrave Macmillan, 2013.

Wilmeth, Don and Milly S. Barranger. Eds. The Group Theatre: Passion, Politics, and Performance in the Depression Era. By Helen Krich Chinoy. New York: Palgrave Macmillan, 2013.

Witham, Barry B. A Sustainable Theatre: Jasper Deeter at Hedgerow. Palgrave Macmillan, 2013. The 2014 John W. Frick Award Winner.

Young, Harvey. The Cambridge Companion to African American Theatre. Cambridge University Press, 2013.

Young, Harvey. Theatre and Race. Palgrave Macmillan, 2013.

Abbotson, Susan C. W. “A Reassessment of the ‘Goodness’ of John Proctor: Fair or Foul?” Arthur Miller Journal 7.1-2 (Fall 2012): 15-21.

Abbotson, Susan C. W. “Arthur Miller.” Oxford Bibliographies Online: American Literature. Ed. Jackson Bryer. New York: Oxford UP, 2012.

Bay-Cheng, Sarah. “Theatre is Media: Some Principles for a Digital Historiography of Performance” Theater 42.2 (2012): 27-41.

Bernstein, Robin“Toward the Integration of Theatre History and Affect Studies: Shame and The Rude Mechs’s The Method Gun,” Theatre Journal 64.2 (May 2012): 213-230.

Bernstein, Robin. “Utopian Movements: Nikki Giovanni and the Convocation Following the Virginia Tech Massacre,” African American Review 45.3 (Fall 2012): 341-353.

Black, Cheryl. “A” is for Abject: The Red Letter Plays of Suzan-Lori Parks,Journal of Dramatic Theory and Criticism 1.2 (2012): 31-56.

Callens, Johan. “Amos Poe’s Neo-Noir Stage.” Journal of Adaptation in Film and Performance  5.2 (2012): 109-125.

DuComb, Christian. “Staging Violence in Pig Iron Theatre Company’sAnodyne.” Theatre Journal 64.2 (May 2012): 197- 211.

Foster, Verna A., ed.  Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays. Jefferson, NC: McFarland & Co., 2012.

Foster, Verna A. “Beth Henley’s Abundance: The Cinematic Myth of the Wild West Revised.” In Foster, ed. Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays. Jefferson, NC: McFarland & Co., 2012, 225-39.

Foster, Verna A. “Ridiculous Fraud and The Jacksonian—Beth Henley’s New Plays about the South: An Interview.”  The Southern Quarterly 50:1 (Fall 2012): 43-57.

Foster, Verna A. “Liz Lochhead’s Dracula: Revision and Reception,” Text & Presentation, 2011, The Comparative Drama Conference Series, 8. Ed. Kiki Gounaridou. (Jefferson, NC: McFarland, 2012): 83-92.

Friedman, Sharon. “Between Desire and Authority: The ‘Dybbuk’ in Modernist and Postmodern Theatrical Adaptations from S. Ansky to Tony Kushner,” in Dramatic Revisions of Myths, Fairy Tales and Legends, ed. Verna A. Foster, McFarland & Company, 2012.

Friedman, Sharon. “Between Desire and Authority: The ‘Dybbuk’ in Modernist and Postmodern Theatrical Adaptations from S. Ansky to Tony Kushner,” in Dramatic Revisions of Myths, Fairy Tales and Legends, ed. Verna A. Foster, McFarland & Company, 2012.

Frick, John W.  Uncle Tom’s Cabin on the American Stage and Screen.  New York: Palgrave Macmillan, 2012.

Goldstein, Tara. Staging Harriet’s House: Writing and Producing Research-Informed Theatre. New York, NY: Peter Lang, 2012.

González Crespán, Araceli. “Las mujeres de Lillian Hellman: una voz poderosa en un teatro de hombres”, Asparkía. Investigació Feminista23 (2012): 49-71.

Hughes, Amy E. Spectacles of Reform: Theater and Activism in Nineteenth-Century America. University of Michigan Press, 2012.

Jones, Megan Sanborn,“Mormons and Melodrama.” In Mormons and American Popular Culture.  Ed. Michael Hunter.  New York: ABC-CLIO Praeger.  2012.

Jouve, Emeline. Review of Second Language Learning Through Drama. Practical Techniques and Applications, ed. Joe Winston. Etudes en Didactiques des Langues 19, 2012.

Kattwinkel, Susan. “ The Tradition of the Eccentric Body in Vaudeville: Subversion and Power in Performance,” The Journal of American Drama and Theatre, Vol. 24, no. 3, 2012.

Klein, Jeanne. “Without Distinction of Age: The Pivotal Roles of Child Actors and Their Spectators in Nineteenth-Century Theatre.” The Lion and the Unicorn 36.2 (April 2012): 117-135. (Also received Honorable Mention for 2013 AATE Research Award.)

Kippola, Karl. Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-1865.  Palgrave Macmillan, 2012.

Mitchell, Koritha.  “James Baldwin, Performance Theorist, Sings the Blues for Mister Charlie.”  American Quarterly 64.1 (March 2012):  33 – 60.

Ozieblo, Barbara. & Noelia Hernando- Real. Eds. Performing Gender Violence: Plays by Contemporary American Women Dramatists. New York: Palgrave, Macmillan, 2012.

Ozieblo, Barbara. “The Victim and the Audience’s Pleasure: An Exploration of Carson Kreitzer’s Self Defense and Stefanie Zadravec’s Honey Brown and Hernando-Real, Eds. Performing Gender Violence.155-172.

Martinson, Karen Jean. “Introduction to Stadium Devildare – Part B.” Red Frogs and Other Plays. By Ruth Margraff. South Gate: NoPassport Press, 2012, 141-142.

Ozieblo, Barbara. “From Shirtwaist to Overalls: Cognition and the Embodiment of Abuse in Two Plays by Naomi Wallace.” Jose Antonio Gurpegui & Isabel Duran. Eds. The Backyard of the U.S. Mansion. Alcaáde Henares: Biblioteca Benjamin Franklin, 2012. 115-130.

Plunka, Gene A.  Staging Holocaust Resistance.  New York:  Palgrave Macmillan, 2012.

Schrum, Stephen, and Sheedy Elliot. “Building a Virtual Reality Model of Artaud’s Theatre of Cruelty.” Metaverse Creativity. Dec. 2012.

Abbotson, Susan C. W. “Willy Loman’s Long Night’s Journey into Day.” Laconics. Eoneill.com. 6 (2011).

Abbotson, Susan C. W. “The ‘line to measure from’: Arthur Miller’s The American Clock as a Lesson for the Ages.” Arthur Miller: Critical Insights. Ed. Brenda Murphy. Pasadena, CA: Salem Press, 2011. 265-285.

Bernstein, Robin. “Children’s Books, Dolls, and the Performance of Race; Or, The Possibility of Children’s Literature,” PMLA 126.1 (January 2011): 160-169.

Bernstein, Robin. Racial Innocence: Performing American Childhood and Race from Slavery to Civil Rights. New York: New York University Press, 2011.

Black, Cheryl. “The Thrust for Freedom from Systems of Oppression: A Century of Suicide, Filicide, and Viricide in Plays by American Women,” in Violence in American Drama: Essays on its Staging, Meaning, and Effects, eds. Alfonso Ceballos and Bernardo Muñoz, Jefferson, NC and London: McFarland Press, 2011, pp. 44–58.

Black, Cheryl and Anne Fletcher. “The Color of Revolution: Race Trumps Class in the Theatre Union’s Stevedore (1934),” New England Theatre Journal, Vol. 22 (Winter 2011): 23-52.

Carlyon, David. “‘Find Love’s Prick’: Touchstone Improvises,” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 24.3 (2011): 131-37.

Fischer, Iris Smith. Mabou Mines: Making Avant-Garde Theater in the 1970s. Ann Arbor: University of Michigan Press, 2011 (cloth), 2012 (paper).

Fischer, Iris Smith. (web) “Cognitive Science, Performance, and Metaphor,” Consciousness in Interdisciplinary Perspective: Discussions from the Humanities Fall Faculty Colloquium 2011. Ed. Anna Neill and Leslie Tuttle. KU Scholarworks, 2012. http://hdl.handle.net/1808/9931

Frick, John. “Lost!  Or What to Do When Your Principal Primary Document is Missing.”  Performing Arts Resource  (2011).

Frick, John. “A New Look at an Old Play:  Re-reading Royall Tyler’s The Contrast.”  Nineteenth-Century Literary Criticism. 2011.

Frick, John. “The Death of Little Eva,”  Uncle Tom’s Cabin Online.  Harriet Beecher Stowe Center Blog.  (2011).

Geary, Fonzie D., II. “A Plague on Both Your Houses: Mr. Anderson Goes to Washington,” New England Theatre Journal 22 (2011): 1-22.

Hecht, Stuart. Transposing Broadway: Jews, Assimilation, and the American Musical. Palgrave MacMillan, 2011.

Jouve, Emeline. “Chains of Dew”. The Literary Encyclopedia. 11 October 2011. Link.

Jouve, Emeline. Introduction à la partie thématique “Staging American Mobility”. Miranda 5 (2011). Déc. 2011. Link.

Jouve, Emeline. “Springs Eternal”. The Literary Encyclopedia. 17 October 2011. Link.

King, William Davies, ed. Part of a Long Story, by Agnes Boulton (McFarland, 2011)

Osborne, Beth. Staging the People: Community and Identity in the Federal Theatre Project. Palgrave, 2011.

Ozieblo, Barbara. “Pornography of Violence’: Strategies of Representation in Plays by Naomi Wallace, Stefanie Zadravec, and Lynn Nottage.” Journal of American Drama and Theatre 32, 1 (Winter 2011): 67-80.

Ozieblo, Barbara. “Affecting the Audience: Gina Gionfriddo’s After Ashley,” in Violence in American Drama: Essays on its Staging, Meaning, and Effects, Alfonso Ceballos Muñoz et al. Eds. Jefferson, N.C.: McFarland, 2011. 267-78.

Ryder, Andrew D. “Doing Tennessee Justice in Oregon.”  Performing Arts Resources 28 (2011).  A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective.  Ed. Stephen Johnson. 272-79.

Ryder, Andrew D. “Here on the Edge: Community-Building Theatre During World War II.” Platform ejournal of Theatre and Performing Arts 5.2 (2011): online. Link.

Abbotson, Susan C. W. Commentary and notes for The Crucible. By Arthur Miller. Methuen Drama Student Edition, Ed. Susan C. W. Abbotson. London: &C Black, 2010.

Abbotson, Susan C. W. “Tennessee Williams on America.”  Tennessee Williams. Ed. Brenda Murphy, Hackensack, NJ: Salem Press, 2010: 38-58.

Abbotson, Susan C. W. “African American Dramatic Theater,” ”African American Musical Theater,” and “Latino and Latin Americans.” Encyclopedia of Broadway and American Culture. Ed. Thomas A. Greenfield. Greenwood Press, 2010. 5-12, 13-20, 319-26.

Bay-Cheng, Sarah and Barbara Cole. Poets at Play: An Anthology of Modernist Drama.Selinsgrove, PA:Susquehanna UP, 2010.

Bay-Cheng, Sarah and Amy Strahler Holzapfel. “The Living Theatre: A Brief History of a Bodily Metaphor” Journal of Dramatic Theory and Criticism 25.1 (fall 2010): 1-19.

Bay-Cheng, Sarah, C. Kattenbelt, A. Lavender, R. Nelson, eds. Mapping Intermediality in Performance. Amsterdam: Amsterdam UP, 2010.

Bernstein, Robin. “Staging Lesbian and Gay New York,” chap. in Bryan Waterman and Cyrus R. K. Patell, eds., The Cambridge Companion to the Literature of New York City(Cambridge University Press, 2010), 202-217.

Black, Cheryl. “Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon,” Theatre History Studies, Vol. 30, 2010.

Black, Cheryl. “Three Variations on a National Theme: George O’Neil’s American Dream, 1933,” Journal of American Drama and Theatre, Vol. 22, no. 3 (Fall 2010): 69-89.

Callens, Johan, “Anne-Marie Boisvert, Manon Oligny, and Thomas Israel: Three Artists in Search of Cindy Sherman.”  The Drama Review54.1 (T205) (Spring 2010): 39-58.

Callens, Johan, “Auto/Biography in American Performance.”  Auto/Biography and Mediation.  Ed. Alfred Hornung.  Heidelberg: Universitätsverlag, Winter 2010.  287-303.

Carlyon, David.  “‘Soft & Silky Around Her Hips’: Nineteenth-Century Circus and Sex.” Journal of American Drama and Theatre 22.2 (Spring 2010).

Carlyon, David.  “Encomiast,” poem, Westchester Review 4 (2010).

Cosdon, Mark.  The Hanlon Brothers:  From Daredevil Acrobatics to Spectacle Pantomime, 1833 – 1931. Carbondale, IL: Southern Illinois University Press, 2010.

Cosdon, Mark. “Band of Brothers,” Dance Gazette:  The Journal of London’s Royal Academy of Dance, 2010.

Connolly, Thomas F. Genus Envy: Nationalities, Identities, and The Performing Body Of Work. Cambria Press, 2010.

Cosdon, Mark. “’Introducing Occidentals to an Exotic Art,’ Mei Lanfang in New York,” in China’s Greatest Operatic Male Actor of Female Roles: Documenting the Life and Art of Mei Lanfang, 1894-1961, ed. Min Tian.  Lewiston, NY:  Edwin Mellen Press, 2010.

Cosdon, Mark. “Band of Brothers,” Dance Gazette:  The Journal of London’s Royal Academy of Dance, 2010.

Frick, John. The Representation of Violence and the Violence of Representation: Uncle Tom’s Cabin  and the Appropriation of Race on the American Stage,”  New England Theatre Journal  Vol. 21 (2010).

Harding, James M.  Cutting Performances: Collage Events, Feminist Artists, and theAmerican Avant-Garde.  2010.

Hughes, Amy E. “Spectacles of Insanity: The Delirium Tremens on the AntebellumStage.” Journal of American Drama and Theatre 22, no. 2 (Spring 2010): 7-24.

Jouve, Emeline. “On the Verge : Dramatisation de la violence symbolique dans The Verge (1921) de Susan Glaspell ». Anglophonia27 (Déc. 2010). Toulouse: Presses Universitaires du Mirail : 251-262.

Jouve, Emeline. “Nation and National Identity in Susan Glaspell’s Inheritors (1921)”, Miranda 2 (2010). Juillet 2010.Link.

Jouve, Emeline. Introduction à l’édition bilingue How I Learned to Drive. Toulouse: Presses Universitaires du Mirail, 2010: 9-20.

King, William Davies. Another Part of a Long Story: Literary Traces of Eugene O’Neill and Agnes Boulton (Michigan, 2010).

Richardson, Dorothy B. Moving Diorama in Play: William Dunlap’s Comedy A Trip to Niagara (1828). Youngstown, NY: Teneo Press, 2010.

Ryder, Andrew D. “To the Heart of It: American Theatre from Hedgerow to the Oregon Coast.” Theatre Annual 63 (2010): 28-46.

Ryder, Andrew D. “‘Living from Moment to Moment’: Kermit Sheets, Theatre, and the Fine Arts at Waldport, 1942-1946.” The Western States Theatre Review 16 (2010). Link.

Schroeder, Patricia R.  “Passing for Black: Coon Songs and the Performance of Race.”  Journal of American Culture 33.2 (June 2010): 139-53.

Senelick, Laurence, ed.  The American Stage: Writing on Theater from Washington Irvingto Tony Kushner. 2010.

Solomon, Rakesh. Albee in Performance (Bloomington: Indiana University Press, 2010. (Winner of Performing Arts Bronze Medal at the Independent Publisher Book Awards in New York City, 2011).

Bernstein, Robin. “Dances with Things: Material Culture and the Performance of Race,”Social Text 101 (December 2009): 67-94. Winner of the 2010 ATDS Research and Publication Award and the 2010 ATHE award for Outstanding Article in a Journal

Black, Cheryl. “Transgressive Female Desire and Subversive Critique in the Seventeenth Century Canon: JoAnne Akalaitis’s Staging of Phedre, The Rover,  and ‘Tis Pity She’s a Whore,” in Feminist Theatrical Revisions of Classic Works, edited by Sharon Friedman, Jefferson NC and London: McFarland Press, 2009, 135-147.

Black,  Cheryl. “„A” kao autsajder: potpuno poniženje i kulturna kritika u dramama crvenog slova Suzan-Lori Parks,” Republika n 11 / 2009 y LXV(Zagreb: Croatian Writers Society), Nikola Đuretić, ed. Trans. Serbo-Croatian by Andy Jelcic, 46-58.

Bogar, Thomas A. American Presidents Attend the Theatre: The Playgoing Experiences of Each Chief Executive. McFarland. 2009.

Callens, Johan. “The Wooster Group’s Hamlet, according to the True Original Copies.”  Theatre Journal  61.4 (Dec. 2009): 539-561.

Callens, Johan (ed. and introd.). Crossings: David Mamet’s Work in Different Genres andMedia. Newcastle upon Tyne: Cambridge Scholars Publishing, 2009.

Cosdon, Mark. “Le Voyage en Suisse des frères Hanlon: performances de comédiens et comédie de la performance,” in Pantomime et théâtre du corps:  Transparence et opacité du hors-texte, ed. Arnaud Rykner.  Rennes, France:  Presses Universitaires de Rennes, 2009.

Fletcher, Anne.  Rediscovering Mordecai Gorelik: Scene Design and the AmericanTheatre.  Carbondale, IL: SIU Press, 2009.

Friedman, Sharon, ed. Feminist Theatrical Revisions of Classic Works. Jefferson, NC and London: McFarland Press, 2009.

Grossman, Barbara Wallace.  A Spectacle of Suffering: Clara Morris on the AmericanStage. 2009.

Jones, Megan Sanborn.  Performing American Identity in Anti-Mormon Melodrama. 2009.

Magnuson, Landis.  “‘No roof except the sky’: The Rise and Fall of Airdomes in AmericanPopular Entertainment.” Theatre Symposium.  2009.

Masequesmay, Gina and Sean Metzger, editors. Embodying Asian/American Sexualities, Lanham: Lexington Books.  2009.

Mayer, David. Stagestruck Filmmaker: D.W. Griffith and the American Theatre. Iowa City, IA: University of Iowa Press, 2009.

Nathans, Heather S.  Slavery and Sentiment on the American Stage, 1787-1861: Liftingthe Veil of Black.  2009.

Plunka, Gene A.  Holocaust Drama:  The Theater of Atrocity.  2009

Robinson, Marc.  The American Play, 1787-2000.  2009.

Anderson, Lisa M.  Black Feminism in Contemporary Drama.  2008.

Black, Cheryl. “After the Emperor: Interracial Collaborations Between Provincetown Alumni and Black Theatre Artists, 1924-1946,” Journal of American Drama and Theatre vol. 20, no. 1 (Winter 2008): 5-26.

Callens, Johan.  “Mediating Phèdre.” Theater und Medien/Theater and the Media. Grundlagen – Analysen – Perspektiven: Eine Bestandsaufnahme.  Kultur- und Medientheorie.  2008.

Callens, Johan.  “The Double Recursiveness of Postmodern Dance.” PAJ: A Journal of Performance and Art. 2008.

Chansky, Dorothy.  “Usable Performance Feminism for Our Time: Reconsidering BettyFriedan.”  Theatre Journal.  2008.

Demastes, Bill.  Spalding Gray’s America.   2008.

Eynat-Confino, Irene.  On the Uses of the Fantastic in Modern Theatre: Cocteau,Oedipus, and the Monster.  2008.

Fisher, James (ed). “We Will Be Citizens”: New Essays on Gay and Lesbian Theatre. 2008.

Fisher, James. Understanding Tony Kushner. 2008.

Fleming, John.  Romulus Linney: Maverick of the American Theater. 2008.

Fleming, John.  Tom Stoppard’s Arcadia.  2008.

Friedman, Sharon, ed.  Feminist Theatrical Revisions of Classic Works.  2008.

Geis, Deborah R.  Suzan-Lori Parks.  2008.

Hecht, Stuart. “Stephen Sondheim: West Side Story (1957), Gypsy (1959) with collaborators Jerome Robbins and Arthur Laurents.” In Modern American Drama: Playwriting in the 1950s: Voices, Documents, New Interpretations, Susan Abbotson, Ed. (Bloomsbury Methuen Drama; London, New York: 2008), pp 127-160.

Kelly, Baron. “Ira Aldridge and Taras Shevchenko:  The Story of a Friendship.” In Journalof Ukrainian Institute of Education and Science. Petro Konoenko, editor. Science and Research Institute of the Ministry of Education. August 2008.

Kelly, Baron “Ira Aldridge: Prophet of Protest”, Ira Aldridge 1807-1867 The GreatShakespearian Tragedian on the Bicentennial Anniversary of his Birth.  2008.

Kelly, Baron.  Review of “Ira Aldridge: The African Roscius,” Theatre Topics.  2008.

Mason, Jeffrey.  Stone Tower: The Political Theater of Arthur Miller.  2008.

Maufort, Marc.  “Signatures of Cultural Memory.”  Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama. 2008.

Novick, Julius.  Beyond the Golden Door: Jewish American Drama and Jewish AmericanExperience. 2008.

Ozieblo, Barbara and Jerry Dickey.  Susan Glaspell and Sophie Treadwell.  2008.

Poole, Ralph J. and Ilka Saal (eds.). Passionate Politics: The Cultural Work of AmericanMelodrama from the Early Republic to the Present. 2008.

Sebesta, Judith A. and Bud Coleman (eds.). Women in American Musical Theatre. 2008.