Expert List

Here is our annually updated ATDS Experts List.  If you are still searching for another member for your dissertation committee, this resource may help.  Please use the information these scholars have kindly provided in a thoughtful way.

The areas of interest below include an extraordinary range of topics:


Actor Training, African American Theatre, American Cultural Studies, Asian American Theatre, Avant-Garde Drama, Chautauqua, Circus, Diasporic Theatre, Disability Theatre, Dramaturgy, Early American Theatre, Federal Theatre Project, Feminist Theatre, Frontier Theatre, Gay and Lesbian Theatre Gender and Performance, Intercultural Theatre, Jewish Theatre, Labor Theatre, Latinx Theatre, Melodrama, Mexican Theatre, Minstrelsy, Modernism, Musical Theatre, Playwrights and Directors (Glaspell, Fornes, Kushner, Mamet, Mee, Miller, O’Neill, Parks, Shepard, Treadwell, Valdez, Wasserstein, Wilder, Williams, Wilson), Political Theatre, Popular Entertainment, Religion and Theatre, Theatre Historiography, Theatre for Young Audiences, Transnational Theatre, Vaudeville, and Women’s Theatre.

(You may want to use the terms provided above, or other terms to search the list for experts who match your areas of interest.)

  • Susan Abbotson

    Professor, Department of English
    Rhode Island College
    (401) 456-2803
    sabbotson@ric.edu

    Areas of Specialization:
    Modern and Contemporary Drama
    Women’s Theatre
    Arthur Miller
    Tennessee Williams
    William Inge
    August Wilson

  • Vivian Appler

    Associate Professor
    College of Charleston
    applervr@cofc.edu

    Areas of Specialization:
    Science and Performance
    Practice as Research
    Devised and Physical Theatre
    Puppetry and Mask
    Feminist Performance
    Seventeenth-Century Drama
    Aphra Behn
    Margaret Cavendish

  • Rosemarie Bank

    Professor Emeritus
    Kent State University
    rbank@kent.edu

    Areas of Specialization:
    Long nineteenth-century U.S. theatre history
    World’s fairs
    Show Indians
    Wild west shows
    Frontier dramas
    Museums
    Anthropology
    Intellectual history
    Historiography

  • Jane Barnette

    Professor of Theatre and Head of Dramaturgy 
    Department of Theatre & Dance
    University of Kansas
    jane@ku.edu

    Areas of Specialization:
    Dramaturgy 
    Adaptation in Theatre
    Gender and Performance 
    Witches and Witchcraft representation on the American stage and screen
    Theatre Historiography

  • Sarah Bay-Cheng

    Professor and Chair
    Department of Theater and Dance
    Bowdoin College
    (207) 725-3419
    sbaycheng@bowdoin.edu

    Areas of Specialization:
    Modern drama
    Media and performance
    Film history
    Avant-garde
    Contemporary American performance

  • Michael Y. Bennett

    Associate Professor of English; affiliated faculty in Philosophy
    University of Wisconsin-Whitewater
    bennettm@uww.edu

    Areas of Specialization:
    Absurd drama and theatre
    19th-21st c. European drama and theatre
    19th-21st c. American drama and theatre
    Theatre and Philosophy (a.k.a. Performance Philosophy)
    Oscar Wilde
    Edward Albee
    Eugene O’Neill

  • Christian Bell

    christianbell.phd@gmail.com

    Areas of Specialization:
    Performance Theory
    Native American Theatre and Performance
    Climate Change/Ecocriticism
    Pedagogy and Theatre of the Oppressed
    Ethics and Community-Based Practice

  • Henry Bial

    Professor of Theatre & Dance
    University of Kansas
    (785) 864-6158
    hbial@ku.edu

    Areas of Specialization:
    Jewish representation on the American stage and screen since 1900
    Performance theory
    Religion and theatre
    Theatre Historiography
    Musical Theatre History

  • David Bisaha

    Associate Professor, Theatre
    Binghamton University, SUNY
    dbisaha@binghampton.edu

    Areas of Specialization:
    Theatre and performance design history
    Immersive and participatory performance
    Theatre historiography
    Theatre labor studies

  • Cheryl Black

    Professor of Theatre
    University of Missouri Columbia
    573 882 0530
    blackc@missouri.edu

    Areas of Specialization:
    Women in Theatre
    Feminist theatre and drama
    Feminist criticism
    The Provincetown Players (esp. Susan Glaspell)
    African American theatre and drama
    Workers Theatre in the U.S.
    Acting/Acting Pedagogy
    Dramaturgy

  • Sara Boland-Taylor

    Doctoral Student, Department of Theatre
    University of Illinois, Urbana-Champaign
    bolandt2@illinois.edu

    Areas of Specialization:
    Shakespeare
    Adaptation
    Preganancy and Performance
    Women’s and Feminist Theatre

  • Jane Brody

    Jbrody845@gmail.com

    Areas of Specialization:
    Auditioning
    Acting theories
    Archetype as related to actors and story
    Neuroscience of acting
    Career planning for actors

  • Annalisa Brugnoli

    PhD, American Studies
    University of Venice (Italy)
    annalisa.brugnoli@yahoo.com

    Areas of Specialization:
    Eugene O’Neill
    Modernism in American Drama
    Philosophical and psychoanalityc issues in American Drama (the Shadow, the Other, the “Medusation”)

  • David Carlyon

    Independent Scholar
    carlyon123@me.com

    Areas of Specialization:
    Circus
    Physical Comedy
    19th-century theater and politics
    Broadway producing and practice

  • Jonathan Chambers

    Professor of Theatre
    Department of Theatre and Film
    Bowling Green State University
    (419) 372-9618
    jonathc@bgsu.edu

    Areas of Specialization:
    American Theater and Drama between the World Wars
    Theatre and the political/cultural left
    Marxist and materialist theory
    Theatre and Modernism (early 20th century avant garde)
    Postmodern Theory/Theatre
    Actor Training
    Arts in Higher Education

  • Dorothy Chansky

    Professor of Theatre
    School of Theatre and Dance
    Texas Tech University 
    dorothychansky@gmail.com

    Areas of Specialization:
    American Little Theatre Movement
    Domestic Labor on the American Stage
    Food and Theatre
    Feminist Theatre

  • James Cherry

    Associate Professor
    Wabash University
    cherryj@wabash.edu

    Areas of Specialization:
    Early 20th century American theater
    Parody
    Popular culture
    American film

  • Alessandro Clericuzio

    Associate Professor, American Literature
    University of Perugia, Italy
    alessandro.clericuzio@unipg.it

    Areas of Specialization:
    20th century American and European drama
    Tennessee Williams
    Ethnic and queer studies in American drama
    Theatre and film
    Contemporary Italian theatre

  • Timothy D. Connors

    Professor of Theatre
    Central Michigan University
    (989) 774-3815
    conno1td@cmich.edu

    Areas of Specialization:
    Late 19th/Early 20th Century American Theatre and Drama
    American Vaudeville (especially managers/management)
    Irish Theatre and Drama

  • Meredith Conti

    Assistant Professor of Theatre
    University at Buffalo, SUNY
    maconti@buffalo.edu

    Areas of Specialization:
    Nineteenth-century American and British theatre
    Victorian medicine and theatre
    Firearms in American theatre and performance
    Popular entertainments of the nineteenth and early-twentieth centuries
    Theatre iconography

  • Mark Cosdon

    Professor of Theatre and Performance Studies
    Allegheny College
    (814) 332-2304
    mcosdon@allegheny.edu

    Areas of Specialization:
    History of Popular Entertainments
    Pantomime
    Contemporary American Musical
    Circus

  • Scott T. Cummings

    Associate Professor, Theatre Department
    Boston College
    (617) 552-4614
    scott.cummings@bc.edu

    Areas of Specialization:
    Contemporary American Drama
    (especially Maria Irene Fornes, Charles Mee, off-Off Broadway movement)
    American ensemble theaters
    (especially SITI Company)
    Dramaturgy and playwriting
    Resident Regional Theater movement

  • Eileen Curley

    Associate Professor
    Marist College
    (845) 575-2536
    eileencurley@gmail.com

    Areas of Specialization
    Amateur theatre
    Theatrical design and technology
    19th c. theatre and drama

  • J.K. Curry

    Associate Professor, Dept. of Theatre and Dance
    Wake Forest University
    (336) 758-3941
    curryjk@wfu.edu

    Areas of Specialization:
    19th c. American theatre
    women theatre managers
    19th and 20th c. American drama

  • Zach Dailey

    Assistant Professor of Theatre History
    University of Houston, Downtown
    zachdailey22@gmail.com

    Areas of Specialization:
    21st Century American Playwrights
    Dominique Morisseau
    Katori Hall
    Annie Baker
    Samuel D. Hunter
    Frances Ya-Chu Cowhig
    African American Theatre
    American Cultural Studies
    American Regionalism
    Fat Studies

  • Carla Della Gatta

    Associate Professor of Theatre and Performance Studies
    University of Maryland, College Park
    carla@umd.edu

    Areas of Specialization:
    Latinx theatre
    Adaptation and translation
    Bilingual theatre
    Archival theory
    Shakespeare in the United States

  • Rick DesRochers

    Associate Professor and Director of Theatre and Multi-Media Performance
    Lehman College, CUNY
    rickdesrochers63@gmail.com

    Areas of Specialization:
    Multi-Media Performance
    Nineteenth and Early Twentieth American Stage and Film Comedy – Vaudeville, Slapstick Silent Film, and Burlesque
    European Avant-Garde of Early the Twentieth Century – Cabaret, Dada, and Surrealism
    Commedia dell’Arte
    American Film and Television History
    New Play Development and Production
    Dramaturgy

  • Christian DuComb

    Assistant Professor of English in the University Theater
    Colgate University
    cducomb@colgate.edu
    colgate.edu/christianducomb

    Areas of Specialization:
    American Cultural Studies
    Avant-Garde Drama
    Intercultural Theatre
    Minstrelsy
    Playwrights and Directors: Pig Iron Theatre Company
    Theatre Historiography

  • Joey Falocco

    Texas State University
    jf48@txstate.edu

    Areas of Specialization:
    Shakespeare in Performance

  • James Fisher

    Professor Emeritus, School of Theatre
    The University of North Carolina at Greensboro
    ajfisher@uncg.edu

    Areas of Specialization:
    American Theatre
    Tony Kushner
    Gay and Lesbian Theatre
    Musical theatre

  • Jason Fitzgerald

    Postdoctoral Fellow in the Humanities
    University of Pittsburgh

    Areas of Specialization:
    Modern and Contemporary Drama
    American Cultural Studies (focus: post-1945)
    Climate Change / Ecocriticism
    Theoretical Humanism
    Black Radicalism
    Radical Feminist / Queer Theory and Performance
    Dramaturgy

  • John Frick

    Professor Emeritus, Drama
    University of Virginia
    (434) 973-1742
    jwfvir@gmail.com

    Areas of Specialization:
    19th century American Theatre
    Popular entertainments
    Temperance Drama
    Uncle Tom’s Cabin on Stage

  • Donatella Galella

    Associate Professor of Theatre
    University of California, Riverside
    galella@ucr.edu

    Areas of Specialization:
    African American theatre
    Arena Stage
    Asian American theatre
    Casting
    Musical theatre
    Yellowface

  • Shawn-Marie Garrett

    Assistant Professor
    Barnard College, Columbia University
    (212) 854-6863
    sg488@columbia.edu

    Areas of Specialization:
    Suzan-Lori Parks
    Contemporary Performance
    European and American Theatrical Modernism
    Production Dramaturgy and Directing

  • Fonzie D. Geary II

    Associate Professor of Theatre
    Lyon College
    (870) 307-7511
    fonzie.geary@lyon.edu

    Areas of Specialization:
    American Drama 1920-1959
    Maxwell Anderson
    Playwrights’ Company
    American Cultural Movements in Dramatic Literature (e.g. American Revolutionary Philosophy, Frontierism, Protestantism, Transcendentalism)

  • Benjamin Gillespie

    Doctoral Lecturer
    Baruch College, CUNY
    Co-Editor, Journal of American Drama and Theatre

    Areas of Specialization:
    American Drama and Theatre
    LGBTQ+ Performance (especially Split Britches) 
    Feminist Theatre
    Age Studies
    Gender Studies
    Late Style
    Canadian Drama and Theatre
    Communication Studies

  • Araceli González Crespán

    Associate Professor
    Universidade de Vigo, Spain
    acrespan@uvigo.es
    https://orcid.org/0000-0002-2619-8647

    Areas of Specialization:
    Women in theater
    Gender
    María Irene Fornés
    Lillian Hellman

  • Michelle Granshaw

    Associate Professor, Theatre Arts
    University of Pittsburgh
    mkg31@pitt.edu

    Areas of Specialization:
    American and Irish theatre and popular entertainment
    Performances of race, ethnicity, gender, and class
    Diaspora and global performance histories
    Theatre historiography

  • Stuart Hecht

    Professor of Theatre
    Boston College
    Hecht@bc.edu

    Areas of Specialization:
    20th century non-commercial Chicago theatre
    Hull-House and other settlement theatres
    Diasporic theatre
    American musical theatre
    Dramaturgy
    Jewish American Theatre

  • Brian Eugenio Herrera

    Associate Professor of Theater and Gender & Sexuality Studies
    Lewis Center for the Arts,
    Princeton University
    bherrera@princeton.edu

    Areas of Specialization:
    Casting
    Gender-Crossing/Drag Performance
    Latinx Theatre
    US Popular Performance, 1870-2020
    Musical theatre
    María Irene Fornés
    Ramona and Performances of the US Southwest

  • Eileen Herrmann

    Adjunct Associate Professor
    Dominican University of California
    (415) 257-0111
    Giggi6000@aol.com

    Areas of Specialization:
    The drama of Eugene O’Neill
    Metaphor and Modern American Drama 

  • John H. Houchin

    Chair, Theatre Department
    Boston College
    (617) 552-0823
    john.houchin.1@bc.edu

    Areas of Specialization:
    Censorship of the American Theatre
    African American Theatre and Culture in the 20th Century
    American Popular Entertainment in the 20th Century
    Pre World War II European Avant Garde

  • Amy E. Hughes

    Professor, Theatre & Drama
    University of Michigan, Ann Arbor
    aehugh@umich.edu

    Areas of Specialization:
    19th-century US theatre and culture
    disability studies
    human-animal studies
    documentary editing
    digital humanities

  • Lisa Jackson-Schebetta

    Associate Professor, Theatre Department
    Skidmore College
    ljackso3@skidmore.edu

    Areas of Specialization:
    Hemispheric Americas
    Latin America
    Iberia and Spain
    Coloniality
    Directing and Devising

  • Katie N. Johnson

    Professor of English
    Affiliate, Global and Intercultural Studies
    Miami University
    johnso33@miamioh.edu

    Areas of Specialization:
    Eugene O’Neill
    Early American Theatre
    Theatre Historiography
    Gender and Performance
    Women’s Theatre
    Dramaturgy
    Minstrelsy–Breaking of Color lines

  • Megan Sanborn Jones

    Associate Professor, Department of Theatre and Media Arts
    Brigham Young University
    (801) 422-1321

    Areas of Specialization:
    19th and 20th c. religious performance
    Mormon performance
    19th c. melodrama
    Women’s studies
    Musical Theatre

  • Emeline Jouve

    Associate Professor
    Champollion University/Toulouse Jean-Jaurès University, France
    emeline.jouve@gmail.com

    Areas of Specialization:
    Theater and justice
    Women in theater
    Gender
    Politics
    Intermediality
    Experimental theater

  • Susan Kattwinkel

    Associate Professor, Department of Theatre and Dance
    kattwinkels@cofc.edu

    Areas of Specialization:
    Popular Entertainment
    Vaudeville
    Dramaturgy
    Theatre in Higher Education

  • Karl Kippola

    Assistant Professor, Department of Performing Arts
    American University
    (202) 885-346
    kippola@american.edu

    Areas of Specialization:
    American Musical Theatre
    19th Century American Theatre
    Acting and Acting History
    Masculinity

  • Jeanne Klein

    Associate Professor Emerita of Theatre
    University of Kansas
    kleinj@ku.edu

    Areas of Specialization:
    Theatre for Young Audiences (18th c. through present)
    Children’s plays, playwrights, and prose literature
    Audience reception studies

  • Lincoln Konkle

    Professor of English
    The College of New Jersey
    (609) 771-2346
    konkleli@tcnj.edu

    Areas of Specialization:
    Thornton Wilder (novels as well as plays)
    Edward Albee

  • Amelia Howe Kritzer

    Associate Professor, English
    University of St. Thomas
    (651) 962-5883
    ahkritzer@stthomas.edu

    Areas of Specialization:
    Caryl Churchill
    Contemporary British drama
    Early American theatre and drama
    Early American women dramatists
    Political theatre and drama
    Feminist theatre and drama

  • Daniel Larner

    Professor of Theatre
    Fairhaven College of Interdisciplinary Studies
    Western Washington University
    (360) 650-4908
    Daniel.Larner@wwu.edu

    Areas of Specialization:
    Contemporary American Drama
    Dramatic Form and Structure
    Comedy, Tragedy, Tragicomedy
    Metaphor in Dramatic Structure
    Drama into Film

  • Esther Kim Lee

    Associate Professor, Theatre
    University of Illinois, Urbana-Champaign
    (217) 333-2893
    kim32@illinois.edu

    Areas of Specialization:
    Asian American theatre
    Korean diaspora theatre and performance
    American theatre
    Ethnic theatre
    Intercultural theatre
    Transnational theatre
    Theatre and globalization

  • Mia Levenson

    Postdoctoral Fellow, History of Medicine
    Johns Hopkins University

    Areas of Specialization:
    19th and 20th c US Theatre and Popular Performance
    Science and Performance
    Doctors, Diseases, and Epidemics on Stage
    Eugenics
    History of Biomedicine
    Medical Humanities

  • Jan Lewis

    Associate Professor and Chair of Theatre
    Wesleyan College
    (478) 757-5249
    jlewis@wesleyancollege.edu

    Areas of Specialization:
    Representations of Jewish Identity in American Theatre
    Wendy Wasserstein
    Sophie Tucker
    Gender and Performance
    Directing in Modern and Contemporary American Theatre

  • Thomas Leuchtenmüller

    Independent Scholar
    +49-611-56579933
    t.leuchtenmueller@t-online.de

    Areas of Specialization:
    August Wilson
    African-American Drama
    Arthur Miller

  • Dr. Felicia Hardison Londre

    Curators’ Distinguished Professor of Theatre
    University of Missouri-Kansas City
    (816) 235-2781
    londref@umkc.edu

    Areas of Specialization:
    American entertainment 1890s-1920s
    Tennessee Williams
    Thornton Wilder
    Eugene O’Neill
    19th & 20th-century French & Russian Theatre & Drama
    Shakespeare production history
    Shakespeare authorship question

  • Landis K. Magnuson

    Professor of English
    Director, Anselmian Abbey Players
    Saint Anselm College
    lmagnuso@anselm.edu

    Areas of Specialization:
    Chautauqua and Vaudeville
    Circle Stock Theatre
    Touring Repertoire Theatre
    Late 19th/Early 20th Century American Popular Entertainment and Culture

  • Kim Marra

    Professor of Theatre Arts and American Studies
    University of Iowa
    (319) 353-2402
    kim-marra@uiowa.edu

    Areas of Specialization:
    Homosexuality and lesbianism in American theatre history
    Impresarios and Actresses in American theatre history, 1865-1914
    Late 19th century American acting training
    Feminist theatre historiography
    Animal Studies and American performance history

  • Alma Martinez, M.F.A., Ph.D.

    Assistant Professor
    Pomona College
    Department of Theatre & Dance
    (909) 607-4382
    Alma.martinez@pomona.edu

    Areas of Specialization:
    Chicano/a Theatre
    Luis Valdez and El Teatro Campesino
    Latin American Political Theatre and
    Nuevo Teatro Popular (1965-1975)
    Contemporary Mexican Theatre
    Latinas in American Theatre
    Latina/o Images in Film

  • Laura MacDonald

    Assistant Professor
    Residential College in the Arts and Humanities at Michigan State
    macdo282@msu.edu

    Areas of Specialization:
    Musical theatre history
    Musical theatre dramaturgy
    American theatre
    Theatre audiences, fans, and reception
    Transnational American studies
    Global theatre history

  • Laura Mielke

    Dean’s Professor of English
    University of Kansas
    (785) 864-2568
    lmielke@ku.edu

    Areas of Specialization:
    Early American literature and theatre
    Nineteenth-century US literature and theatre
    American Indians in literature and performance, pre-1900
    Literature of slavery and abolition

  • L. Bailey McDaniel

    Associate Professor, Department of English
    Oakland University
    mcdanie2@oakland.edu

    Areas of Specialization:
    African American theatre and drama (Harlem Ren – present)
    Intersectional Gender, Queer, and African American Studies
    Trauma
    Motherhood
    Contemporary BIPOC-American theatre and drama
    Postcolonial theatre and drama

  • Derek Miller

    Associate Professor of English
    Harvard University
    dmiller@fas.harvard.edu

    Areas of Specialization:
    Economics of Theater
    Theater and Law
    Broadway
    Musical Theater
    Play Publishing
    Contemporary Off-Broadway Theater
    Digital Humanities
    Copyright

  • Hillary Miller

    Assistant Professor of English
    Queens College, City University of New York
    hillary.miller@qc.cuny.edu

    Areas of Specialization:
    American Theatre and Drama Post-WWII
    Queer Theatre
    Performance and Urban Development
    Sociology of Theatre
    Contemporary Playwriting
    Writing Pedagogy

  • Courtney Elkin Mohler, PhD

    Assistant Professor
    American Studies Program
    Founding Director of the Office of Intercultural Literacy, Capacity and Engagement
    Indiana University Purdue University – Indianapolis (IUPUI)
    carmel.elkin@gmail.com

    Areas of Specialization:
    Native American Drama
    Native American Performance
    Critical Race Theory
    US Ethnic Theater
    Chicana/o Theater
    Theater for Social Justice

  • Noe Montez

    Associate Professor, Drama and Dance
    Co-Editor, Theatre Topics
    Tufts University

    Areas of Specialization:
    Latinx Theatre
    Latin American Theatre
    Contemporary U.S. Theatre
    Modern Drama

  • Heather S. Nathans

    Professor & Chair, Department of Drama and Dance, Tufts University
    Series Editor, Studies in Theatre History and Culture, University of Iowa Press
    Heather.nathans@tufts.edu

    Areas of Specialization:
    Early American Theatre
    Early American Popular Entertainment
    Antebellum Theatre and Literature
    Shakespeare in 18th and 19th century America
    African American theatre and culture pre-1861
    Jewish representations on the American stage, pre-1861

  • Dr. Sanja Nikcevic

    Distinguished Professor, Drama Department, Academy of Art, University of Osijek
    tel 385 1 631 41 48
    sanja.nikcevic@uaos.hr

    Areas of Specialization:
    Contemporary American drama
    Contemporary European drama
    Theatre criticism

  • Ariel Nereson

    Assistant Professor
    Department of Theatre & Dance, University at Buffalo – SUNY

    Areas of Specialization:
    Dance studies
    Critical race theory
    Historiography
    Queer studies
    Popular entertainment
    Cognitive studies
    Musical theater choreography

  • Dr. Amy Osatinski

    Assistant Professor of Theatre History
    Oklahoma City University
    asosatinski@okcu.edu

    Areas of Specialization:
    Contemporary Musical Theatre
    Musical Theatre History
    Contemporary American Theatre
    Popular Culture
    Theatre and Digital Media/Technology
    Directing
    Dramaturgy
    Pedagogy
    Disney Theatrical Productions
    Screen-to-Stage Musicals

  • Elizabeth Osborne

    Associate Professor of Theatre Studies
    Florida State University
    (850) 645-6858
    BethOsborne@gmail.com

    Areas of Specialization:
    Federal Theatre Project
    Dramaturgy
    American Theatre (Civil War through WWII)
    Arthur Miller, Tennessee Williams
    Intersections of theatre and community

  • Barbara (Basia) Ozieblo

    Professor of American Literature,
    Department of English
    Facultad de Filosofía y Letras
    University of Málaga, Spain
    34 952 131795
    ozieblo@uma.es

    Areas of Specialization:
    Susan Glaspell
    American Women Dramatists
    Violence on stage
    Cognitive studies applied to theater

  • alexis riley

    Assistant Professor of Theatre Studies
    University of Michigan 
    aariley@umich.edu

    Areas of Specialization:
    Disability Performance
    Mad Performance
    Performance in Medical Settings (esp. Asylums/Mental Hospitals)
    Psychiatry and Performance
    20th and 21st century performance
    Practice as Research
    Embodied Dramaturgy


  • Danielle Rosvally

    Assistant Professor
    Department of Theatre and Dance, University at Buffalo
    DRosvall@Buffalo.edu

    Areas of Specialization:
    Shakespeare
    Stage Combat
    Violence on Stage
    TikTok
    Theatrical Socio-Economics
    Nineteenth-Century American Theatre
    Popular Culture

  • Bess Rowen

    Assistant Professor
    Villanova University

    Areas of Specialization:
    Stage Directions
    Theatre Theory
    LGBTQ+ Theatre
    Intersectional Feminism
    Tennessee Williams
    Eugene O’Neill
    Irish Theatre
    Theatre & Protest

  • Ilka Saal

    University Professor of American Literature
    University of Erfurt, Nordhäuser Str. 63, 99089
    Erfurt, Germany
    ilka.saal@uni-erfurt.de

    Areas of Specialization:
    Political Theater
    New Deal Theater
    Theater and War
    Memory Studies
    Trauma Studies
    African American Theater

  • David Sauer

    Professor, English
    Spring Hill College
    (251) 380-4644
    sauer@shc.edu

    Areas of Specialization:
    David Mamet
    August Wilson
    Wendy Wasserstein
    Contemporary American Drama
    Drama in Performance

  • Stephen A. Schrum

    Associate Professor, Department of Theatre Arts
    University of Pittsburgh at Greensburg
    (724) 836-7483
    sas114@pitt.edu

    Areas of Specialization:
    “Theatre in Cyberspace”
    Virtual Theatre
    Teaching with Technology
    Goethe’s Faust

  • Max Shulman, PhD

    Visual and Performing Arts
    University of Colorado, Colorado Springs
    mshulman@uccs.edu

    Areas of Specialization:
    Modern Drama
    Political Theatre
    Popular Entertainment
    Vaudeville
    Progressive Era Theatre
    Representations of Drug Addiction in American Theatre and Film

  • Susan Harris Smith

    Professor, English
    University of Pittsburgh
    shs1@pitt.edu

    Areas of Specialization:
    Modern and Contemporary Drama
    American Cultural Studies (late 19th/early 20th centuries)

  • Naomi J. Stubbs

    Assistant Professor, English
    LaGuardia Community College, City University of New York
    (718) 482-5680
    naomi_stubbs@hotmail.com

    Areas of Specialization:
    Nineteenth century American theatre
    Nineteenth century American popular entertainments
    Pleasure gardens
    Critical editing

  • Ansley Valentine

    Associate Professor
    Indiana University
    arvalent@indiana@edu

    Areas of Specialization:
    Large-scale puppetry and mask
    Community-based arts education

  • Bryan M. Vandevender

    Associate Professor of Theatre
    Bucknell University
    bmv003@bucknell.edu

    Areas of Specialization:
    American Musical Theatre: History, Theory, and Practice
    Revival and Repetition in Performance 
    Dramaturgy
    Directing
    Ethics and Theatre

  • Shauna Vey

    Professor
    CUNY – New York City College of Technology
    svey@citytech.cuny.edu

    Areas of Specialization:
    19th and 20th Century American Theatre
    Child Actors
    Child labor laws

  • Erik Viker

    Assistant Professor of Theatre
    and Technical Director
    Susquehanna University
    (570) 372-4548
    viker@susqu.edu

    Areas of Specialization:
    Production management
    Theatre operations and technology
    Stage management
    Technical theatre in liberal arts education

  • Ronald Wainscott

    Professor and Director of Graduate Studies
    Department of Theatre and Drama
    Indiana University
    (912) 855-9021
    wainscot@indiana.edu

    Areas of Specialization:
    American theatre and dramatic literature late 19th-21st century
    American and European theatre and drama between the world wars
    Eugene O’Neill
    History and theory of directing

  • Katherine Weiss

    Assistant Professor, English
    East Tennessee State University
    (423) 439-6626
    weisk01@etsu.edu

    Areas of Specialization:
    Samuel Beckett
    Sam Shepard
    Sophie Treadwell
    Modern Irish Drama
    Modern British Drama

  • Ann Folino White

    Associate Professor
    Department of Theatre
    Michigan State University
    whitea38@msu.edu

    Areas of Specialization:
    20th C. theatre and popular performance
    Food politics and culture
    Great Depression
    Gender and feminist theory

  • Catherine Young, PhD

    Adjunct Assistant Professor, English
    Baruch College, CUNY
    Catherine.Young@baruch.cuny.edu

    Areas of Specialization:
    Animal studies
    Popular theatre history (vaudeville, minstrelsy, circus, and Broadway)
    Contemporary US theatre
    Women in theatre
    Critical race studies